The best short stories of 1919, and the yearbook of the American short story
General
The best short stories of 1919, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"Wun't you need me about supper?"
"Now you just set and let me get supper alone to-night."
"I'll set the table," decided old Mrs. Bray. "I guess just laying plates
won't hurt it none."
Myra set about her biscuits. Marvin had to have his hot bread. Suddenly
she heard a little splintering crash, followed by a whimpering
wail--"Myry! Oh, Myry! I've broke the sasser!" The last remnants of
Nellie's saucer, with their pink, fluted edges like ravished petals, lay
spread out at old Mrs. Bray's feet.
"Now ain't that just too bad! (I s'pose she was touching it, for old
times' sake--and her trembly old fingers and all, she let it slip.)
Never mind, Mother; you got the blue one yet. And mebbe that saucer can
be mended--"
Her mother with a jealous sweep of old hands, gathered up the fragments
of the broken saucer. "I don't want mended dishes," she said
resentfully, and went stiffly away to her room.
That night, when they were alone, Myra told Marvin about Nellie's cup
and saucer. "And I just know she's akeeping of the pieces, and amourning
over them," she finished. "Such things get to have associations. I
'most wish it had been your cup that got broke. She's got you, and
Nellie's gone."
"Gone--what's a hundred miles!"
"I'm afraid she misses Nell."
"Now don't you go getting notions in your head. Nell was a master hand
for work, but she didn't keep things up a mite better than you--not so
good, to my notion. You're restfuller. Nell couldn't rest herself nor
let anybody else. Nell couldn't atouched them biscuit--fact!"
"I try to keep things up as much like Nell as I can. I'd ruther use
white table-cloths myself, but Nell always used the checkered. And my
own chiny set the folks gave me--but I know Mother'd feel strange
without her old white ones. There's lots of pretty chiny in the safe,
but Nell always used it so careful. I've never used a piece. And yet,
just adustin' that pink cup I had to go and drop it! I don't s'pose it
was ever drunk out of."
"What's the good," argued Marvin, "of having things too fine to use?"
"You and me, Marvin, think the same about them things. But Nell and
Mother--they're different."
"You're a good woman, Myry."
It pleased Myra to be told that she was good, and that her biscuits
surpassed those of the capable Nell. But such compliments, for all their
practicality and worth, sent no flush to her sallow cheek.
In her woman's magazine, which came to her monthly, lovers (and more
rarely, husbands) were always breathing into the heroine's ear, "I love
you. How beautiful you are!" or sentiments in that tenor. Marvin had not
told her he loved her. He had asked her seriously and respectfully to
marry him, when it became apparent that the efficient Nell was about to
wed. And he had never told her that she was beautiful. She could not
have believed him if he had.
Public-domain text, read in full here on John Shaqi.
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