The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Joe struggled to his feet and lurched to the table. Tolliver wondered at
the indecision in the other's eyes, which was more apparent. Joe fumbled
aimlessly with the yellow slips. Tolliver's fingers, outstretched toward
his coat, hesitated, as if groping for an object that must necessarily
elude them.
"Special!" Joe mumbled. "And--Hell! Ain't thirty-three through yet?"
He swayed, snatching at the edge of the table.
Tolliver lowered his hands. The division superintendent had pounded out
something about fuses. What had it been exactly? "Keep fuses burning."
With angry gestures he took his coat and cap down, and put them on while
he repeated all the instructions that had been forced into his brain
with the effect of a physical violence. At the table Joe continued to
fumble aimlessly.
"Ain't you listening?" Tolliver blurted out.
"Huh?"
"Why don't you light a fuse?"
It was quite obvious that Joe had heard nothing.
"Fuse!" Joe repeated.
He stooped to a box beneath the table. He appeared to lose his balance.
He sat on the floor with his back against the wall, his head drooping.
"What about fuse?" he murmured.
His eyes closed.
Tolliver pressed the backs of his hands against his face. If only his
suspense might force refreshing tears as Sonny cried away his infant
agonies!
Numerous people asleep in that long Pullman train, and the special
thundering down! Sally and Sonny a half mile away in the lonely house!
And that drink-inspired creature on the floor--what was he capable of in
relation to those unknown, helpless travelers? But what was he capable
of; what had he, perhaps, been capable of towards those two known ones
that Tolliver loved better than all the world?
Tolliver shuddered. As long as Joe was here Sally and Sonny would not be
troubled. But where had Joe been just now? How had Sally and Sonny fared
while Tolliver had waited for that stumbling step on the stairs? He had
to know that, yet how could he? For he couldn't leave Joe to care for
all those lives on the special and thirty-three.
He removed his coat and cap, and replaced them on the hook. He took a
fuse from the box and lighted it. He raised the window and threw the
fuse to the track beneath. It sputtered and burst into a flame, ruddy,
gorgeous, immense. It etched from the night distant fences and trees. It
bent the sparkling rails until they seemed to touch at the terminals of
crimson vistas. If in the storm the locomotive drivers should miss the
switch lamps, set against them, they couldn't neglect this bland banner
of danger, flung across the night.
When Tolliver closed the window he noticed that the ruddy glow filled
the room, rendering sickly and powerless the yellow lamp wicks. And
Tolliver clutched the table edge, for in this singular and penetrating
illumination he saw that Joe imitated the details of sleep; that beneath
half-closed lids, lurked a fanatical wakefulness, and final resolution
where, on entering the tower, he had exposed only indecision.
Public-domain text, read in full here on John Shaqi.
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