The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Think I was ’sleep?” he called. “Di’ y’ think--steal m’ wife when I
was ’sleep?”
His voice shrilled in the room. He began to hurl at the door inept
anathemas against the treachery of wives and the cowardice of
men. He made uncouth accusations. He delivered himself of bizarre
philosophies; sometimes mumbling, sometimes shrilling his words. He
twisted his shoulders, stepping about in a small space. His voice
quavered, rising and falling. His head tossed as if he rode in a boat.
But the silence at last reduced him to silence.
The labor of thought again showed in his face. Something was eluding
him. Yes, he had forgotten something he was going to do. He tried
hard in his own way, opening and shutting his mouth, blinking and
searching the floor with his aimless eyes. Sometimes mutterings fell
out of his mouth.
He smiled again. Something stirred him. Now he remembered what he had
forgotten. He lifted the hand that held the revolver and aimed his
wavering gaze down toward it. He raised his eyebrows and blinked. He
turned the gun over this way and that, staring and blinking as if he
had never seen one before in all his life. His face was pulled out
of shape with the labor of cogitation. He began to smirk. He looked
toward the door again, opening and shutting his mouth; and at last he
delivered himself:
“Di’ y’ think I was go’ shoo’ m’self? Di’ y’ think I was go’ shoo’
m’self?”
His head sank on his breast and his eyes half closed. But he heaved
his head up again and opened his eyes.
“Ah, sure, sure,” he called. “Steal m’ wife an’ I shoo’ m’self. Sure!
sure!”
He laughed. But the laugh crumpled up in the silence.
His eyes were witless. It looked as though his pale head had talked
without his knowing it. He wagged his head and announced solemnly:
“I’ll shoo’ you.” He waited a moment, trying to keep his gaze on the
door, and repeated more loudly:
“I’ll shoo’ you. I’ll shoo’ you.”
He smiled down at the revolver and patted the barrel with an aimless
motion.
“We know where fin’ ’im, don’t we?” he said to the revolver.
His eyes brightened and he became a little steadier smirking at the
door, he called loudly, “We know where fin’ ’im. We know where fin’
’im.”
He turned, and like a man walking in the dark he made his way to the
couch. Here he laid the revolver down. With much labor and fumbling
he gathered up his overcoat. With much labor he began to put it on.
Half way through the job he paused, turned, and sent a wavering look
toward the door.
“Di’ y’ think I do’ know where fin’ im?” he jibed.
Public-domain text, read in full here on John Shaqi.
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