The best stories of Sarah Orne Jewett, Volume 1 (of 2)Jewett, Sarah Orne
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The best stories of Sarah Orne Jewett, Volume 1 (of 2)
Jewett, Sarah Orne
American fiction -- 19th century; Short stories, American
“I’m very happy here, both winter an’ summer,” said old Mrs. Blackett.
“William an’ I never wish for any other home, do we, William? I’m glad
you find it pleasant; I wish you’d come an’ stay, dear, whenever you
feel inclined. But here’s Almiry; I always think Providence was kind to
plot an’ have her husband leave her a good house where she really
belonged. She’d been very restless if she’d had to continue here on
Green Island. You wanted more scope, didn’t you, Almiry, an’ to live in
a large place where more things grew? Sometimes folks wonders that we
don’t live together; perhaps we shall some time,” and a shadow of
sadness and apprehension flitted across her face. “The time o’ sickness
an’ failin’ has got to come to all. But Almiry’s got an herb that’s good
for everything.” She smiled as she spoke, and looked bright again.
“There’s some herb that’s good for everybody, except for them that
thinks they’re sick when they ain’t,” announced Mrs. Todd, with a truly
professional air of finality. “Come, William, let’s have Sweet Home, an’
then mother’ll sing Cupid an’ the Bee for us.”
Then followed a most charming surprise. William mastered his timidity
and began to sing. His voice was a little faint and frail, like the
family daguerreotypes, but it was a tenor voice, and perfectly true and
sweet. I have never heard Home, Sweet Home sung as touchingly and
seriously as he sang it; he seemed to make it quite new; and when he
paused for a moment at the end of the first line and began the next, the
old mother joined him and they sang together, she missing only the
higher notes, where he seemed to lend his voice to hers for the moment
and carry on her very note and air. It was the silent man’s real and
only means of expression, and one could have listened forever, and have
asked for more and more songs of old Scotch and English inheritance and
the best that have lived from the ballad music of the war. Mrs. Todd
kept time visibly, and sometimes audibly, with her ample foot. I saw the
tears in her eyes sometimes, when I could see beyond the tears in mine.
But at last the songs ended and the time came to say good-by; it was the
end of a great pleasure.
Mrs. Blackett, the dear old lady, opened the door of her bedroom while
Mrs. Todd was tying up the herb bag, and William had gone down to get
the boat ready and to blow the horn for Johnny Bowden, who had joined a
roving boat party who were off the shore lobstering.
I went to the door of the bedroom, and thought how pleasant it looked,
with its pink-and-white patchwork quilt and the brown unpainted paneling
of its woodwork.
“Come right in, dear,” she said. “I want you to set down in my old
quilted rockin’-chair there by the window; you’ll say it’s the prettiest
view in the house. I set there a good deal to rest me and when I want to
read.”
Public-domain text, read in full here on John Shaqi.
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