Husband and wife -- Fiction; Man-woman relationships -- Fiction
When he had passed from her sight, Rachel sank in a little heap on the
tomb. She bent her face on her knees. She felt as if a
sounding-instrument had gone to the very depths of her heart and
explored there among ambiguous weeds and mud, and as she listened to
the message that came back, she rocked backward and forward in a very
ecstasy of barren grief and shame. It seemed to her that she had
reached the burying point of life, and her sobs, quick with the agony
of youthful living, sounded small and piteous in that quiet place of
the dead.
CHAPTER XII
THE MIGRATORY INSTINCT
During the first weeks succeeding Emil's departure, Rachel looked
feverishly for a letter. It seemed to her the intensity of her longing
must cause one to appear. But none came, and finally she realized that
none would come. She went about with a curled lip and a scornful eye.
Nora Gage might run the house as she chose and cook as many savory
dishes as she pleased, the girl did not care; she was indifferent even
to her grandfather; but let the one or the other cross her will, and
her anger blazed forth. These violent outbursts were nature's defence.
In the painful upheaval that separated her dream from the reality, that
which was the very centre of her higher life, suffered to such an
extent that she must have become inert, had it not been for the
responsibility felt by all the ruder faculties of her hardy young
being. She had sought love, struggling albeit unconsciously, toward a
supposed freedom; and driven back on herself, she would have become
like a prisoner at the bottom of a cellar--bleeding, discouraged,
without further hope--had it not been for the nerves that proved
insurrectionary, for the temper that refused to be thwarted. The
activity of these rescuers gradually amazed the girl herself and drew
her from the contemplation of her trouble. But the experience, long
after the actual pain of it had given place to a general
dissatisfaction with existence, left its trace upon her face; and this
tempestuous beauty, wrought from within, played around her lips in a
smile of tragic comprehension and increased the range of her youthful
and expressive eye.
At home Nora dragged her slippers over the kitchen floor with a
flapping sound, and at "the barn," where even the occasional customer
had ceased to appear, André played wild airs upon his fiddle. Both
these sounds were intolerable to Rachel and, to escape them, she fled
to the cliffs. There, even as the cold weather came on, she sat for
hours, with her chin buried in her hands and her eyes on the ocean--the
ocean which, unfathomable and perpetually active, built itself into
gigantic walls that broke against the rocks with a reverberating report
and were sucked back emitting long murmurs.
Public-domain text, read in full here on John Shaqi.
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