Husband and wife -- Fiction; Man-woman relationships -- Fiction
The ticket agent ran across the tracks to open the new coach and the
old man, to demonstrate his knowledge of the subject, began enumerating
the different classes of common cars. "'P.K.' is the best of 'em," he
proclaimed, "'P.K. Wide Vestibule'. But of course this car is
something a little extry."
When, however, the ticket agent had left them and they once more stood
looking up at the coach, he broke forth into lyric praise of it.
"'Tain't hardly been on the tracks, remember," he cried, "but think of
the miles and miles it has to run, through what different kinds of
country. It'll be like a good soldier followin' the leader! But the
engine! Oh, that's the master of 'em all!" he continued; "great,
shinin', pantin' master, that's what the engine is, the master."
Rachel looked at the car as at a traveller who is about to start on a
long journey. Once she had seen the wife of the owner with a party of
friends, and she began filling the seats of the new coach with these
people. Oh, the ladies, the softly-turned heads; the nicely-dressed
children--no common folk were to ride in this car! And she imagined
how they would be carried forward, the rolling of the wheels growing
ever swifter and swifter; and then how they would arrive at that spot,
glimmering with a million lights, tumultuous and confused, the city
containing great homes.
On the drive back to the Point, she closed her eyes the better to
pursue her thoughts, and her grandfather's words mingled with them like
something heard in a dream.
"Sometimes, not often, I used to paint station signs," he said, "and
after I'd finished the name of a place--maybe it was Kingston, or maybe
it was only Smithville,--I used to think how the sign would be hung at
the end of a long platform or perhaps jest posted against a little shed
of a buildin' in the midst of a great prairie, and I used to think of
the rain and the snow that'd blow against it, and most blot out the
letters, and the little birds that would perch on it; and somehow I
felt as if I had been to the places jest through paintin' of the signs."
Rachel pictured the earth webbed with tracks like veins, and she saw
the ships following certain appointed routes over seas; and again, as
in the past, it appeared to her that she was the one stagnant thing in
an active creation.
"But the signs I liked to paint best," resumed her grandfather's
tremulous voice, "were the _Stop-Look-Listen_ signs, and the
_Railroad-Crossin'--Look Out For The Engine_. They are made of cast
steel now and the letters are raised, but in my time they was of wood,
tall white posts with a pointin' arm, like ghosts givin' warnin'."
Public-domain text, read in full here on John Shaqi.
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