"No," he said, slowly rising, "I am not ill hurt, but I am hurt in a measure which will keep me from fighting any more this afternoon. Here I am with a useless right hand, and I have never learned to use the left, so we must stop." By this time Marget had come up, offering to bind the Black Colonel's wounded arm, and staunch the bleeding, a task which Red Murdo had already begun, only his hands were clumsy at it. Marget made him take off the strip of tartan which he was twisting tightly round the forearm and put her linen handkerchief nearest the wound. This tender and thoughtful attention seemed to soften the field of battle, and presently I found myself picking up the Colonel's sword and returning it to him. "Thank you," he said; "I can only carry it in my belt at present, but I would not like to lose it, for it has proved you a better swordsman than I had expected." Handsomely said, was it not? But we are always inclined to think a compliment to ourselves fitting, especially when it comes from an enemy as formidable as Jock Farquharson was. "I hope, sir," I answered without undue gravity, "that I have earned the compliment and I accept it, as I accepted your challenge, without reserve. Now, I suppose, our meeting is finished, and so we may each go our own way. Mistress Forbes, will you allow me to see you home?" and I turned towards her. She took my arm and we walked quietly from Lonach Tower and quietly across the hills to the Dower House, neither of us saying much on the way, possibly because our thoughts were not for the six soldier men who strode behind us. _XIV--The Cards of Love_ A man who serves the cause of a good woman is serving well, her and himself, even if he only waits in the garden of the emotions. He is probably helping that woman in subtle, beautiful ways, to be herself, to realize the full majesty of her womanhood, which otherwise she might miss. I had the highest wish to help the interests of Marget, and if my heart beat an accompaniment, that was only another test of my sincerity. There, perhaps, I have written as if I had grown sure of Marget, which I had no right to be, which no man can ever be of any Marget, else romance would perish. Typical of other youth and maid stories was ours, a story without a beginning, a middle, or an apparent ending; a sort of skein of hope and unspoken understanding such as links two people, until they come closer or drift apart, ships that pass in the night that should be the morning.