He was afraid. Plainly I could see that! There were lines of anxiety
about his eyes. He clutched me by the arm and drew me away.
“He was to meet me here,” I said. “He didn't come. He was to meet me
here! Oh, Hobart, I saw him some time ago. He was--it was not Harry at
all! Do you know anything about it?”
For a minute he stood still, looking at me. I had never seen Hobart
frightened; but at that moment there was that in his eyes which I could
not understand. He caught me by the arm and started out almost at a
run. There were many people and we dodged in and out among them. Hobart
carried a suitcase. He hailed a taxi.
I don't know how I got into the car. It was a blur. I was frightened.
Some terrible thing had occurred, and Hobart knew it. I remember a few
words spoken to the driver. “Speed, speed, no limit; never mind the
law--and Chatterton Place!” After that the convulsive jerking over the
cobbled streets, a climbing over hills and twisted corners. And Hobart
at my side. “Faster--faster,” he was saying; “faster! My lord, was there
ever a car so slow! Harry! Harry!” I could hear him breathing a prayer.
Another hill; the car turned and came suddenly to a stop! Hobart leaped
out.
A sombre two-storey house; a light burning in one of the windows, a dim
light, almost subdued and uncanny. I had never seen anything so lonely
as that light; it was grey, uncertain, scarcely a flicker. Perhaps
it was my nerves. I had scarcely strength to climb the steps. Hobart
grasped the knob and thrust open the door; I can never forget it.
It is hard to write. The whole thing! The room; the walls lined with
books; the dim, pale light, the faded green carpet, and the man. Pale,
worn, almost a shadow of his former self. Was it Harry Wendel? He had
aged forty years. He was stooped, withered, exhausted. A bottle
of brandy on the desk before him. In his weak, thin hand an empty
wineglass. The gem upon his finger glowed with a flame that was almost
wicked; it was blue, burning, giving out sparkles of light--like a
colour out of hell. The path of its light was unholy--it was too much
alive.
We both sprang forward. Hobart seized him by the shoulders.
“Harry, old boy; Harry! Don't you know us? It's Hobart and Charlotte.”
It was terrible. He didn't seem to know. He looked right at us. But he
spoke in abstractions.
“Two,” he said. And he listened. “Two! Don't you hear it?” He caught
Hobart by the arm. “Now, listen. Two! No, it's three. Did I say three?
Can't you hear? It's the old lady. She speaks out of the shadows. There!
There! Now, listen. She has been counting to me. Always she says three!
Soon it will be four.”
What did he mean? What was it about? Who was the old lady? I looked
round. I saw no one. Hobart stooped over. Harry began slowly to
recognise us. It was as if his mind had wandered and was coming back
from a far place. He spoke slowly; his words were incoherent and
rambling.
Public-domain text, read in full here on John Shaqi.
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