BREAD I have an idea! If they are dangerous and treacherous, would it not be better for us all to wait at the door, so that we may lend a hand to the children should they be obliged to fly?.... THE DOG Not at all! Not at all! I mean to go everywhere with my little gods! Let those who are afraid remain at the door! We have no need (_looking at_ BREAD) of cowards (_looking at the_ CAT) or traitors!... FIRE I'm going!... I hear it's great fun!... They dance all the time.... BREAD Do they have any eating as well? WATER (_moaning_) I have never known the smallest Happiness!... I should like to see some at last!.... LIGHT Hold your tongues! Who asked your opinions?... This is what I have decided: the Dog, Bread and Sugar shall go with the children. Water shall stay outside, because she is too cold, and Fire, because he is too turbulent. I strongly urge Milk to remain at the door, because he is so impressionable. As for the Cat, he can do as he likes..... THE CAT I shall take the opportunity of calling on the chief Miseries of my acquaintance, who live next door to the Joys.... TYLTYL And you, Light? Aren't you coming? LIGHT I cannot go into the Joys like this: most of them cannot endure me. But I have here the thick veil with which I cover myself when I visit happy people.... (_She unfolds a long veil and wraps herself in it carefully_.) Not a ray of my soul must startle them, for there are many Happinesses that are afraid and are not happy.... There... like this, even the ugliest and coarsest of them will have nothing to fear.... (_The curtain opens and discloses the next Scene_) SCENE 2.--_The Palace of Happiness_. _When the curtain of clouds opens, the stage represents, in the forefront of the palace, a sort of hall formed of tall marble columns, between which hang heavy purple draperies, supported by golden ropes and concealing all the background. The architecture suggests the most sensual and sumptuous moments of the Venetian or Flemish Renascence, as seen in the pictures of Veronese or Rubens, with garlands, horns of plenty, fringes, vases, statues, gildings, lavishly distributed on every side. In the middle stands a massive and marvellous table of jasper and silver-gilt, laden with candlesticks, glass, gold and silver plate and fabulous viands. Around the table, the biggest luxuries of the Earth sit eating, drinking, shouting, singing, tossing and lolling about or sleeping among the haunches of venison, the miraculous fruits, the overturned jars and ewers. They are enormously, incredibly fat and red in the face, covered with velvet and brocade, crowned with gold and pearls and precious stones. Beautiful female slaves incessantly bring decorated dishes and foaming beverages. Vulgar, blatantly hilarious music, in which the brasses predominate. The stage is bathed in a red and heavy light_.