But the hard journey was nothing compared with the tribulation and
distress that came after it. The clay was put into a trough and mixed
and beaten and stirred and trampled. It seemed almost unbearable. But
there was consolation in the thought that something very fine and noble
was certainly coming out of all this trouble. The clay felt sure that,
if it could only wait long enough, a wonderful reward was in store for
it.
Then it was put upon a swiftly turning wheel, and whirled around until
it seemed as if it must fly into a thousand pieces. A strange power
pressed it and moulded it, as it revolved, and through all the dizziness
and pain it felt that it was taking a new form.
Then an unknown hand put it into an oven, and fires were kindled about
it--fierce and penetrating--hotter than all the heats of summer that had
ever brooded upon the bank of the river. But through all, the clay held
itself together and endured its trials, in the confidence of a great
future. “Surely,” it thought, “I am intended for something very
splendid, since such pains are taken with me. Perhaps I am fashioned for
the ornament of a temple, or a precious vase for the table of a king.”
At last the baking was finished. The clay was taken from the furnace
and set down upon a board, in the cool air, under the blue sky. The
tribulation was passed. The reward was at hand.
Close beside the board there was a pool of water, not very deep, nor
very clear, but calm enough to reflect, with impartial truth, every
image that fell upon it. There, for the first time, as it was lifted
from the board, the clay saw its new shape, the reward of all its
patience and pain, the consummation of its hopes--a common flower-pot,
straight and stiff, red and ugly. And then it felt that it was not
destined for a king’s house, nor for a palace of art, because it was
made without glory or beauty or honour; and it murmured against the
unknown maker, saying, “Why hast thou made me thus?”
Many days it passed in sullen discontent. Then it was filled with earth,
and something--it knew not what--but something rough and brown and
dead-looking, was thrust into the middle of the earth and covered over.
The clay rebelled at this new disgrace. “This is the worst of all that
has happened to me, to be filled with dirt and rubbish. Surely I am a
failure.”
But presently it was set in a greenhouse, where the sunlight fell warm
upon it, and water was sprinkled over it, and day by day as it waited,
a change began to come to it. Something was stirring within it--a new
hope. Still it was ignorant, and knew not what the new hope meant.
Public-domain text, read in full here on John Shaqi.
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