Fantasy fiction; Magic -- Fiction; Science fiction; Witches -- Fiction
The mouth opened. “Sh’ my always darling,” said Brunivar thickly, and
disengaging his arm from Cleudi’s, swung it in a round gesture. “Glad
you foun’ her for me.” Aggermans released the other arm; the Baron took
three stumbling steps toward Aiella, and as she slipped his clutch,
stumbled onto the divan, pushed himself around, focussed his eyes with
difficulty, and cried; “Now I foun’ her. Festival night. You go leave
us, and I do anything you want tomorrow, my lor’.”
Aggermans’ round face had gone cherry-red. “That I can credit, my lord,”
he said, looking steadily not at Brunivar but at the Countess Aiella.
“The more since I once would have done the same. But it is too high a
price for the temporary favors of a bona roba.”
The Countess laughed. “The pleasure of your Grace’s company has been so
small that you must not blame me if I seek elsewhere.” She turned to
Cleudi with a certain dignity. “As for you, my lord, I know whom I have
to thank for this shame, and believe me, I will not forget it.”
He bowed. “If the memory lasts until the next time when you laugh over
having given a rendezvous you never meant to keep, I shall feel myself
repaid for my troubles,” he said.
“Ah, she has been deceiving you, too?” said Aggermans, and turned toward
Rodvard as Brunivar made one more pawing effort to grasp the girl. “And
who is this? I think I should like to remember him.” (Concentrated venom
streamed from his eyes.)
“Why, since this is another costume of mine, I think this will be my
writer,” said Cleudi. “Take off your mask, Bergelin.”
Rodvard drew it off slowly, not knowing what to say, but the Countess
Aiella spared him the trouble. “I see,” she said. “It was all planned,
not a part only. At least he has a heart, and so the advantage over any
of you.” She stepped over to take the young man’s arm. “Ser, will you
escort me as far as my pavilion?”
Cleudi stepped aside to let them pass through the door and down the
stairs. “What, unmasked already, my lady?” cried someone in the gay
crowd round the door, but she did not turn her head until they were out
in the shadow, when she released his arm with; “Now, go.”
From within the hall came the moan of violins.
II
He woke with scaly tongue, head spinning in the fumes of the fired-wine
and body burning with unfulfilled desires, to the clink of silver on
porcelain, as the maid Damaris bore in his breakfast tray. She was
already in costume, a milkmaid and not badly done; her eyes and feet
were dancing. “Oh, where did you get the lovely Kjermanash mask?” she
asked as he propped himself up among the pillows, and giving him the
tray, went to run her fingers lovingly over the white silk where it hung
across the chair. “It’s just the most beautiful thing ever. I’ll be so
happy to be with you in it.”
“Count Cleudi lent it to me . . . Damaris.”
“What is it?”
“Sit down a minute. On the chair, no matter.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account