The book of Christmas : $b descriptive of the customs, ceremonies, traditions, superstitions, fun, feeling, and festivities of the Christmas seasonHervey, Thomas K.
Religion
The book of Christmas : $b descriptive of the customs, ceremonies, traditions, superstitions, fun, feeling, and festivities of the Christmas season
Hervey, Thomas K.
Christmas
bottom of this too; and therefore it, too, had its pleasure. But there
is to be an end of this also. Truly are we falling upon the "evil days"
of which we may say we "have no pleasure in them." Men are neither to
laugh nor smile, now, without distinctly knowing why. We are in the age
of the philosophers.--All this time, however, Mr. Thomas Tucker is
waiting to have his style and titles proclaimed; and thus do we find
them duly set forth:--
"The most magnificent and renowned THOMAS, by the favor of Fortune,
Prince of Alba Fortunata, Lord of St. John's, High Regent of the Hall,
Duke of St. Giles's, Marquis of Magdalen's, Landgrave of the Grove,
Count Palatine of the Cloysters, Chief Bailiff of Beaumont, High Ruler
of Rome, Master of the Manor of Walton, Governor of Gloucester Green,
sole Commander of all Titles, Tournaments, and Triumphs, Superintendent
in all Solemnities whatever."
From these titles,--as well as from those which we have already
mentioned as being assumed by the courtiers of the illustrious Prince of
Sophie, our readers will perceive that alliteration was an esteemed
figure in the rhetoric of the revels.
In order to give our readers a more lively idea of this potentate, we
have, as the frontispiece to our second part, introduced a Lord of
Misrule to preside over the Christmas sports therein described. Although
the titles with which we have there invested him are taken from the
"Gesta Grayorum," the dress in which the artist has bestowed him is not
copied from any one of the particular descriptions furnished by the
different records. He is intended to represent the ideal of a Christmas
prince, and not the portrait of any particular one of whom we have
accounts. The artist's instructions were therefore confined to investing
him with a due magnificence (referring to the records only so far as to
keep the costume appropriate) and with a complacent sense of his own
finery and state, and we think that Mr. Seymour has succeeded very
happily in catching and embodying the mock heroic of the character. The
Prince of Purpoole, or His Highness of Sophie, must have looked just
such a personage as he has represented.
Public-domain text, read in full here on John Shaqi.
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