An' they seeked him in the rafter-room, an' cubby-hole, an'
press,
An' seeked him up the chimbley-flue, an' ever'wheres, I guess;
But all they ever found was thist his pants an' roundabout!
An' the Gobble-uns 'll git you, ef you don't watch out!"
RILEY: _Little Orphant Annie._
Negroes are very superstitious, putting faith in all sorts of
supernatural beings.
"Blame my trap! how de wind do blow;
And dis is das de night for de witches, sho!
Dey's trouble going to waste when de ole slut whine,
An' you hear de cat a-spittin' when de moon don't shine."
RILEY: _When de Folks is Gone._
While the original customs of Hallowe'en are being forgotten more
and more across the ocean, Americans have fostered them, and are
making this an occasion something like what it must have been in
its best days overseas. All Hallowe'en customs in the United States
are borrowed directly or adapted from those of other countries.
All superstitions, everyday ones, and those pertaining to Christmas
and New Year's, have special value on Hallowe'en.
It is a night of ghostly and merry revelry. Mischievous spirits
choose it for carrying off gates and other objects, and hiding them
or putting them out of reach.
"Dear me, Polly, I wonder what them boys will be up to to-night.
I do hope they'll not put the gate up on the shed as they did
last year."
WRIGHT: _Tom's Hallowe'en Joke._
Bags filled with flour sprinkle the passers-by. Door-bells are rung
and mysterious raps sounded on doors, things thrown into halls, and
knobs stolen. Such sports mean no more at Hallowe'en than the
tricks played the night before the Fourth of July have to do with
the Declaration of Independence. We see manifested on all such
occasions the spirit of "Free-night" of which George von Hartwig
speaks so enthusiastically in _St. John's Fire_ (page 141).
Hallowe'en parties are the real survival of the ancient merrymakings.
They are prepared for in secret. Guests are not to divulge the fact
that they are invited. Often they come masked, as ghosts or witches.
Public-domain text, read in full here on John Shaqi.
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