England -- Social life and customs -- Humor; English wit and humor; Housekeeping -- Humor; Marriage -- Humor
“I don’t know,” he said. “I always thought it was the whole caboodle,
town and country and all.”
“But, then, where do the county families come from?” I asked.
“The large provincial towns, I believe,” James replied without looking
up from his book.
“Can you live right in town and be a county family?” (Silence.)
“What county families do we know?”
“Oh, the Higginbottams and the Crackers and the Fitzmullets--do go
away.”
“But they all live in the town except the Fitzmullets, who are seven
miles from a railway station.”
“If you don’t go away at once,” said James, “I will see that the whole
county, wherever we are, calls on you, and you will die of a slow,
insidious poison. They will poison your mind and your dress and your
language. Do you see?”
I left the subject then. We shall come back to it later, because the
struggling up of a species from one vantage-point to another is a
fascinating study for those who love Nature, and I have not half got
to the bottom of this county business yet; it is so involved. In the
meantime there was the move itself.
Of all the experiences most calculated to humble the mighty a house
move is the most humiliating. One’s household possessions lose all
reticence, decency and moral sense. They flaunt themselves and cry
aloud to the passers-by for attention. They behave more like Neapolitan
beggars than anything else--maimed beggars on the spree. I have seen
antics performed by my own furniture that made me long to burn down
every city of the Empire and be numbered amongst the beasts of the
field. An undertaker’s work seems wholesome and cheerful compared to
that of the furniture-remover. He gets an ingrained sense of squalor
that corrupts his senses and his memory until ugliness is to him not
only inevitable but appropriate. I met the foreman packer staggering up
our garden path with a wardrobe on his head. In one hand he flourished
a picture (with the glass broken) representing the Duke of Wellington
standing with drawn sword on the top of a mountain; in the other a
fire-screen that was once intended for a jumble sale, but had been
mislaid for years behind the plate-chest.
“For the drawing-room, I suppose,” he observed, and passed on. I ran
after him, protesting that both were marked “not to go”; but when I
reached the house I found them in the middle of the drawing-room floor
with seven unspeakable cushions marked “cook’s bedroom,” a warming-pan
(unearthed from heaven knows where), James’s large and particularly
ugly writing-table, and the dining-room carpet neatly tacked down.
Public-domain text, read in full here on John Shaqi.
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