The book of The Cheese : $b Being traits and stories of "Ye Olde Cheshire Cheese"
History
The book of The Cheese : $b Being traits and stories of "Ye Olde Cheshire Cheese"
Cheshire Cheese (Inn)
and ‘rack,’ by which is meant gin; and, in the winter-time, of Irish
stew and rump-steak pudding, glorious and grateful to every sense?
To be compelled to run to and fro with these succulent viands from
noon to late at night, without being able to spare time to consume
them in comfort—where do waiters dine, and when, and how?—to be
continually taking other people’s money only for the purpose of
handing it to other people—are not these grievances sufficient to
cross-grain the temper of the mildest-mannered waiter? Somebody
is always in a passion at the ‘Cheese’: either a customer because
there is not fat enough on his ‘point’ steak, or because there is
too much bone in his mutton-chop; or else the waiter is wroth with
the cook; or the landlord with the waiter, or the barmaid with all.
Yes, there is a barmaid at the ‘Cheese,’ mewed up in a box not much
bigger than a bird-cage, surrounded by groves of lemons, ‘ones’ of
cheese, punch-bowls, and cruets of mushroom-catsup. I should not care
to dispute with her, lest she should quoit me over the head with a
punch-ladle, having a William-the-Third guinea soldered in the bowl.”
“Old and New London,” ch. 10, part iii., p. 123, contains this
paragraph:—
“Mr. William Sawyer[5] has also written a very admirable sketch of
the ‘Cheese’ and its old-fashioned conservative ways, which we cannot
resist quoting:—
“‘We are a close, conservative, inflexible body—we, the regular
frequenters of the “Cheshire,”’ says Mr. Sawyer. ‘No new-fangled
notions, new usages, new customs, or new customers for us. We have
our history, our traditions, and our observations, all sacred and
inviolable. Look around! There is nothing new, gaudy, flippant, or
effeminately luxurious here. A small room, with heavily timbered
windows, a low-planked ceiling. A huge projecting fireplace, with a
great copper boiler always on the simmer, the sight of which might
have roused even old John Willett, of the “Maypole,” to admiration.
High, stiff-backed, inflexible “settees,” hard and grainy in texture,
box off the guests half a dozen each to a table. Sawdust covers the
floor, giving forth that peculiar faint odour which the French avoid
by the use of the vine sawdust with its pleasant aroma. A chief
ornament in which we indulge is a picture over the mantel-piece,
a full-length of a now departed waiter, whom, in the long past,
we caused to be painted, by subscription of the whole room, to
commemorate his virtues, and our esteem. We sit bolt upright round
our tables, waiting, but not impatient. A time-honoured solemnity
is about to be observed, and we, the old stagers, is it for us to
precipitate it? There are men in the room who have dined here every
day for a quarter of a century—aye, the whisper goes round that one
man did it on his wedding day! In all that time the more staid and
well-regulated among us have observed a steady regularity of feeding.
Five days in the week we have “Rotherham steak”—that mystery of
Public-domain text, read in full here on John Shaqi.
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