The Book of the Feet: A History of Boots and ShoesHall, Joseph Sparkes
History
The Book of the Feet: A History of Boots and Shoes
Hall, Joseph Sparkes
Footwear -- History; Shoemakers
I am indebted to the countess of Blessington, and Lady Charlotte Bacon,
for some of the earliest hints and suggestions for its improvement; also
to Mrs. S. C. Hall, the Baroness de Calabrella, and other ladies of
literary fame, who were among the first to patronise the invention. One
of my earliest customers, a lady of great originality of thought and
expression, first induced me to make it an article of universal sale, by
saying:--
“These boots are the comfort of my life, if you were only to give them a
sounding name--if you like, call them _lazy boots_ and turn it into
_Greek_--all the world will buy them, and you’ll make your fortune.”
For many years I have scarcely made any other kind of boots but the
elastic; but, I have not made a fortune. I am happy, however, if in any
way I have contributed to the comfort of my fellow-creatures, or been
instrumental in affording employment to my own countrymen.
Her majesty has been pleased to honor the invention with the most marked
and continued patronage; it has been my privilege for some years to make
boots of this kind for her majesty, and no one who reads the court
circular, or is acquainted with her majesty’s habits of walking and
exercise in the open air, can doubt the superior claims of the elastic
over every other kind of boots; it has been well remarked, “the road to
health is a footpath.”
The materials for making ladies’ boots have been various, the best of
course have been those which combine strength with a thin delicate
texture; for strong double or cork sole boots, cloth, kerseymere, or
cashmere; for single sole, summer, or dress boots, silk, satin, and an
improved prunella, with a twilled silk back, is best.
The neatest, firmest, and the coolest material I have ever used is a
silk web, called _stocking-net_; this I have had woven in black and
colors, and as it readily moulds to the form of the foot, and can be
made up without seams, it is a favorite material with her majesty, and
the most distinguished ladies of her court: this boot would appear to
be the veritable “boote newe and faire” of old Chaucer’s time, so
thoroughly light, elastic, and graceful, as it is to a pretty foot.
The leather best adapted for ladies’ boots is morocco or goat-skin,
which, when properly dressed, is sufficiently strong and durable--kid
being the skin of the young goat, is naturally finer and more delicate;
the enamel or varnish leather, commonly called _patent_, is also very
suitable, and being made of calf-skin, is strong. For the little toecaps
and golashes of ladies’ boots it answers admirably, and as it requires
no cleaning, always looks well, and the upper part of the boot is kept
clean and tidy.
Some ladies, however, can not bear any leather--the material best
adapted for such is the Pannuscorium, or leather-cloth. This invention
has met with very extensive patronage from a class whose feet require
something softer even than the softest leather.
Public-domain text, read in full here on John Shaqi.
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