Herodotus, the father of ancient history in its modern form, a
travelled student and a great genius, whose prose poem—for such it
is—has proved incomparably more useful to us than any works of his
successors, when describing a rock-sculpture of Sesostris-Ramses (ii.
106) makes him carry in his right hand a spear (Egyptian), and in his
left a bow (Lybian or Ethiopian). Hence some writers on Hoplology have
held that he considered these to be the oldest of weapons. But the
ancients did not study prehistoric man beyond confounding human bones
with those of extinct mammals. Augustus Cæsar was an early collector,
according to Suetonius (in ‘August.’ c. xxii.). ‘Sua vero ... excoluit
rebusque vetustate ac raritate notabilibus; qualia sunt Capræis immanum
belluarum ferarumque membra prægrandia, quæ dicuntur gigantum ossa et
arma heroum.’[67] The Emperor (whom the late Louis Napoleon so much
resembled, even in the matter of wearing hidden armour[68]) preferred
these curiosities to statues and pictures. The ancients also, like
Marco Polo and too many of the moderns, spoke of the world generally
after studying a very small part in particular. The Halicarnassian here
evidently alludes to an epoch which had made notable advances upon the
Quaternary Congener of the Simiads. We must return to a much earlier
age. Lucretius, whose penetrating genius had a peculiar introvision,
wrote like a modern scientist:—
Arma antiqua manus, ungues dentesque fuerunt,
Et lapides et item sylvarum fragmina rami;
Posterius ferri vis est, ærisque reperta,
Sed prius æris erat, quam ferri cognitus usus.[69]
Gentleman Horace is almost equally correct:—
Quum prorepserunt primis animalia terris,
Mutum et turpe pecus, glandem atque cubilia propter
Unguibus et pugnis, dein fustibus, atque ita porro
Pugnabant armis quæ post fabricaverat usus.[70]
How refreshing is the excellent anthropology of these pagans after the
marvel-myths of man’s Creation propounded by the so-called ‘revealed’
religions.
[Heading: _THE ‘AGES.’_]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account