"You couldn't exactly say he was _with_ us," replied Snake.
"An' yet he wasn't _away_ from us. He pretended he didn't
want t' play cards, an' he said he was so doggoned tired an'
sleepy that he was goin' t' turn in. I told him that bein' in th'
same tent with a whisperin' infant like Yellin' Kid, wasn't
perzactly healthy for sleep, but Four Eyes said he didn't mind.
So he turned int' his bunk, an' pulled th' covers tip over his
head, though I don't see how he stood it, for it isn't winter,
not by a long shot, an' this place was full of smoke. Anyhow he
done it, an' t' keep th' light out of his eyes, so he said, he
pulled a chair up in front of his bunk like you see it now, an'
stuck his coat over it."
Snake pointed to a chair, now twisted awry from in front of the
cot that the missing cowboy had occupied. His coat, draped over
the back, effectually screened him from observation when lying on
the bed.
"He did that so's he could slip out an' get away!" spoke Yellin'
Kid, justifying the sarcastic name of "whispering infant," that
Snake had bestowed on him.
"But how did he get out?" asked Dick.
"And what for?" Bud wanted to know,
"He got out this way!" said Old Billee quietly, as he leaned over
the cot and pushed with his hand against the side of the tent. A
right-angled opening was disclosed, cut with a sharp knife. The
loose point was at the bottom, and once Four Eyes had slipped
out, the cut flap hung down in place, not disclosing, in the dim
light, that the canvas had been cut.
"He got out that way," went on Old Billee, "because th' tent
sides, bein' fast t' th' board floor, wouldn't let him crawl out
very easy. He's a slick one, Four Eyes is!"
"But why should he slip out this way? Did he do anything? And who
was doing that signalling?" exclaimed Bud.
"I reckon you'll find, son, that the signallin' an' th' vamoosin'
of our late friend Four Eyes had some connection," spoke Old
Billee. "We, bein' intent on our game of cards, didn't know
nothin' at all 'bout it till you fellows rode up. Now it's about
time we got int' action!"
"You win!" declared Yellin' Kid loudly. "There's suthin' queer
prospectin' around these diggings an' I'd like t' know what it
is!"
"I guess we all would," spoke Bud. "And we'd better start right
in to find out about it. Come on, boys," he called to his
cousins, but the older cow punchers took the invitation to
themselves also, and soon, with lanterns and flashlights (which
handy little contrivances the boy ranchers nearly always carried)
they began the search.
First they made sure that Four Eyes was playing no trick on them
by hiding under one of the cots in the bunk tent. Though, as Bud
pointed out, it would pass the bounds of fun to have cut the
canvas shelter as it was cut.
But no trace of Four Eyes was to be found.
"He's gone, hide, hair, horns, brand an' everythin'!" was the way
Old Billee expressed it.
"How about his horse?" asked Nort.
Public-domain text, read in full here on John Shaqi.
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