The Boy Travellers in the Far East [Part First]: Adventures of Two Youths in a Journey to Japan and ChinaKnox, Thomas Wallace
General
The Boy Travellers in the Far East [Part First]: Adventures of Two Youths in a Journey to Japan and China
Knox, Thomas Wallace
China -- Description and travel -- Juvenile literature; Japan -- Description and travel -- Juvenile literature
The decision was appealed to Doctor Bronson, who decided that the birds
in question were storks, and nothing else. There was no mistaking their
beautiful figures; whether standing in the fields or flying in the air,
the stork is one of the handsomest birds known to the ornithologist.
"You see," said Doctor Bronson, "that the stork justifies the homage
that is paid to him so far as a graceful figure is concerned, and the
Japanese have shown an eye for beauty when they selected him for a
prominent place in their pictures. You see him everywhere in Japanese
art--in bronzes, on costly paintings, embroidered on silk, printed on
fans, and on nearly every article of household use. He has a sacred
character, and it would not be easy to find a Japanese who would
willingly inflict an injury upon one of these birds."
[Illustration: FLOCK OF GEESE.]
There are probably no other artists in the world who can equal the
Japanese in drawing the stork in all the ways and attitudes he assumes.
These are almost countless; but, not satisfied with this, there are some
of the native artists who are accused of representing him in attitudes
he was never known to take. Admitting this to be the case, it cannot be
disputed that the Japanese are masters of their profession in
delineating this bird, and that one is never weary of looking at his
portrait as they draw it. They have nearly equal skill in drawing other
birds, and a few strokes of the brush or pencil will accomplish marvels
in the way of pictorial representation. A flock of geese, some on the
ground and others in flight, can be drawn in a few moments by a native
designer, and the most exacting critic will not find anything wanting.
[Illustration: FORTS OF SHINAGAWA.]
The train sped onward, and in an hour from the time of leaving the
station at Yokohama it was nearing Tokio. It passed in full view of the
forts of Shinagawa, which were made memorable during the days of Perry
and Lord Elgin, as the foreign ships were not allowed to pass them,
and there was at one time a prospect that they would open fire upon
the intruders. Near one of the forts, a boat containing three fishermen
was pulling slowly along, one man handling the oar, while the other two
were lifting a net. Whether any fish were contained in it the boys did
not ascertain, as the train would not stop long enough to permit an
investigation. The fort rose from the water like a huge warehouse; it
might resist a Chinese junk, or a whole fleet of the rude craft of the
East, but could not hold out an hour against the artillery of the
Western nations. In recent years the forts of Tokio have been
strengthened, but they are yet far from what an American or English
admiral would hold in high respect. The Japanese have made commendable
progress in army organization; but, so far as one can learn generally,
they have not done much in the way of constructing and manning
fortifications.
[Illustration: A JIN-RIKI-SHA.]
Public-domain text, read in full here on John Shaqi.
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