The Breaking of the Storm, Vol. II.Spielhagen, Friedrich
General
The Breaking of the Storm, Vol. II.
Spielhagen, Friedrich
Fiction
CHAPTER X.
The last carriage had driven away; the servants were arranging the
rooms under Sidonie's directions. Elsa, who generally spared her aunt
all household cares, had withdrawn under pretext of feeling a little
tired, that, in her quiet room, she might let the soft echoes of this
happy evening die out of her heart, undisturbed by the clatter of
chairs and tables. It had not needed that he should dance the
Rheinländer so admirably; she would still have brought him in the
cotillon the large blazing order which she had placed at the bottom of
the basket, and which, when her turn came, she boldly and successfully
drew out, and then with trembling hands fastened it beside the iron
cross on his breast. Yes; her hands had trembled and her heart had
fluttered as she had done the great deed, and then looked up in his
sparkling eyes; but it was from happiness, from pure happiness and joy.
And it was happiness and joy which now kept her awake, after she had
laid her greatest treasures--the album with his portrait and the little
compass--on the table by her bedside, and had extinguished the candle,
which she lighted again in order to cast a glance at the box containing
the compass, and to assure herself that "it was still faithful," and
"turned towards its master," and then opened the album at the place at
which it always opened, and looked at his portrait once more; no, not
at the portrait--that was detestable--but at the inscription, "With all
my heart," and softly breathed a kiss upon it, and then quickly put the
light out again, laid her head on the pillow, and sought in her dreams
him to whom she was faithful waking and sleeping, and of whom she knew
that he was faithful to her sleeping or waking.
Ottomar had also, as soon as the last guests were gone, retired, with a
"Good-night; I am tired to death; what has become of my father?" and
had gone downstairs without waiting for the answer. In the passage
leading to his room, he must pass his father's door. He stood still for
a moment. His father, who had gone downstairs a few minutes before, was
doubtless still up, and Ottomar was accustomed under similar
circumstances to knock and, at least, wish him good-night through the
open door. This evening he did not do so. "I am tired to death," he
repeated, as if he wished to apologise to himself for this breach of
his usual habit.
But arrived in his room, he did not think of going to bed. It would
have been useless so long as the blood coursed through his temples,
"like mad," said Ottomar, while he tore off and threw down his uniform
with the cotillon orders, and tore open his waistcoat and cravat,
and put on the first garment that he laid his hand upon--his
shooting-coat--and stationed himself at the open window with a cigar.
Public-domain text, read in full here on John Shaqi.
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