The Bride of the Tomb, and Queenie's Terrible SecretMiller, Alex. McVeigh, Mrs.
Philosophy
The Bride of the Tomb, and Queenie's Terrible Secret
Miller, Alex. McVeigh, Mrs.
United States -- Social life and customs -- Fiction; Young women -- Fiction
Her bold and venturesome spirit had never yet felt the promptings of
remorse for her dreadful deed. She rejoiced that Lily was dead, and that
the shameful stigma of suicide lay upon her memory; though she was the
daily witness of the bereaved family's sorrow, though she saw that
Lancelot Darling was aged as if ten years had passed over his head in
the past few weeks, still she felt no grief for her sin, and kept on her
resolute way, swearing in her secret soul to win the young man whom she
passionately adored, and whose wealth and position made him the most
eligible _parti_ in the whole city. Love and ambition alike spurred her
on to the attainment of her cherished object.
But the dreadful revelation of old Haidee had struck a lightning flash
of terror to her guilty soul.
She had believed herself secure in her sin; she had thought it known
only to herself of all the world, and the knowledge that her secret
belonged to another had almost crazed her with the fear of its betrayal.
She regretted that she had not followed the old witch home that day and
struck another secret blow that would have sealed the old woman's lips
forever.
She who had struck down so ruthlessly the fair and blooming life of Lily
Lawrence would have felt no compunction in ending prematurely the old
and sin-blasted existence of Haidee Leveret. All that she lacked was the
chance.
Now another scathing monition had been hurled against her guilty
conscience. In the hour when old Haidee's continued silence and absence
had begun to inspire her with confidence again, when the wooing tones
had brought Lancelot Darling to her side, when she could almost feel his
breath upon her cheek as he bent to turn the pages of her music--in that
supreme hour the image of the woman she hated had risen to blast her
sight, and to come between her and the love she sought. It was horrible,
it was maddening.
She sought her solitary apartment and flung herself face downward on the
bed, afraid to lift her heavy eyes lest they should be blasted by the
sight of the restless spirit which her guilty hand had driven forth a
wanderer from the fair citadel it once inhabited.
"Do the dead walk?" she said to herself, in fearful agitation, "do they
revisit the haunts of life and love? Do they ever return and denounce
their murderers? Oh! God, why do I ask myself these fruitless questions?
Do I not know? Have I not looked upon the face of the dead this night?
Ah! what if she had pointed a ghostly finger at me, and said before them
all, 'Thou art my murderess!'"
Shivering as if with the ague she buried her head in the bed-clothes.
A sudden rap at the door caused her to start violently.
"Enter," said she, almost inaudibly.
It was only one of the neat housemaids. She looked concerned at the
ghastly white face the widow lifted on her entrance.
"Are you ill, Mrs. Vance?" she inquired.
"No--yes--that is, my head aches badly," was the confused answer.
Public-domain text, read in full here on John Shaqi.
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