The bride's fate: The sequel to "The changed brides"Southworth, Emma Dorothy Eliza Nevitte
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The bride's fate: The sequel to "The changed brides"
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
The breakfast table reached nearly the whole length of the long
dining-room, and was multiplied by the mirrored walls into innumerable
other tables on every hand. It was beautifully decorated and sumptuously
loaded; every variety of flesh, fish, and fowl that was in season,
dressed in the most delicate manner; every sort of rare and rich fruit
and vegetable; wonderful pastries, creams, and ices; crystallized
sweetmeats, cordials, wines, liquors, black and green teas, and coffee,
such as only a Frenchman can make, were among the good things displayed
to delight the palates of the guests.
On the second floor, the bed-chambers and dressing-rooms wore a gay and
festive aspect. There also the windows were thrown open to the light and
air, and shaded only by the beautiful green trees and flowering vines
without. The beds and dressing-tables were freshly covered with
snow-white drapery; and on each toilet-table were laid new ivory-handled
brushes and combs, silver flagons of rare perfumery, porcelain pots of
pomade; and about each room were every convenience, comfort and luxury
that a guest could possibly require,—all provided by a thoughtful
hospitality that was careful and considerate in its minutest details.
Early in the day these light, fragrant, and delightful chambers were
filled with bevies of fair girls, who were giving the last effective
touches to their own and to each other’s gay festal dresses, and whose
soft talk and silvery laughter made music all around.
They had need to hurry, too; for the hour fixed for the ceremony was
high noon, and they must all be ready and in their places to see it.
The bride’s chamber was the scene of the most interesting passages.
There sat the bride, surrounded by her bride’s-maids, and lovingly
attended by Drusilla.
Anna’s dress was a rich white honiton lace robe over a white silk skirt,
made with a low bodice and short sleeves, both edged with narrow lace.
On her neck and arms she wore a necklace and bracelets of diamonds; on
her hair the wreath of orange blossoms; over her head and shoulders the
deep bridal veil of lace to match her robe; on her delicate hands kid
gloves as white as snow and soft as down. Her six bride’s-maids were all
dressed in white tulle, with wreaths of white moss-rose buds on their
hair, and veils of white tulle.
On this auspicious day Drusilla, for the first time, entirely laid aside
her mourning. She looked beautiful and blooming, in a dress of
rose-colored moire-antique, made with a low bodice and short sleeves,
trimmed with point lace. On her neck and arms she wore a necklace and
bracelets of pearls; on her young matronly brow a wreath of half-open
blush roses; on her bosom a bouquet of the same flowers.
For this day also her little Leonard was dressed in gala robes, and sent
out upon the lawn in the arms of his nurse where he remained for the
present, gazing with eyes wide open with astonishment and delight on the
wonderful pageantry around him.
Public-domain text, read in full here on John Shaqi.
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