Great Britain -- History; Great Britain -- History, Naval
of our course, and must get back to our point of departure.
Although Henry VIII is inseparably connected with the _Henri Grace à
Dieu_, this famous ship was by no means the only improved type of
fighting-ship which dates from his reign. There were, besides the great
ships, such as the _Henri_, the _Jesus of Lubeck_,[19] and others, a
class known as galleasses, without a raised poop and forecastle, with a
single tier of heavy guns, and a protruding spur or "beak" forward. They
had fully-rigged main- and foremasts, a mizen and a bonaventure
mizen--these last two masts very small and carrying a single lateen sail
apiece--and a long bowsprit. There is little doubt that these were an
adaptation of the Mediterranean galleys modified to suit Northern seas.
Ships were longer-lived in those days than at present, and though many
of those in Elizabeth's navy had originally belonged to that of her
father, in the newer vessels their constructors endeavoured to combine
the best qualities of both the great ships and the galleasses. The ships
of this improved type were known as "galleons", a word that is
generally, but erroneously, taken to refer only to Spanish ships. The
battleships of both nations were galleons at this period, but they
differed considerably in their general lines and in their armament.
Generally speaking, the Spanish ships were higher out of the water and
carried lighter cannon than our own. An Elizabethan battleship, then,
was rather longer than earlier great ships, and, though she still had a
comparatively high stern, it was not to be compared in this respect with
that of the _Henri_. The "fore castle" had come down to a very low
affair, the bows finishing with a "beak-head" adopted from the
galleasse, but with the spur at its extremity replaced by a
figurehead--generally a lion, dragon, or unicorn. The general uniformity
in colouring which marked the earlier Tudor men-of-war had been replaced
by a "go as you please" system, under which one ship had her upper works
painted red, another white and green, a third black and white, while a
fourth might retain the old regulation timber colour. Considerable sums
were expended in carving, gilding, and decoration in colour, not only at
the bow and stern, but along the exterior of the bulwarks. As regards
the armament carried afloat, at this and later times, particulars will
be given in a future chapter.
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