pen-and-ink with much facility, humour, and originality. His productions, in this manner, will be more particularly noticed in the course of this work. Charlotte's drawings were said to be pre-Raphaelite in detail, but they had no approach to the spirit of that school; and Branwell's pictures, however meritorious they might be as likenesses of the individuals they represented, lacked, in every instance, that artistic touch which the hand of genius always gives, and cannot help giving. While at school at Roe Head, Charlotte had been noticed by her fellow-pupils to draw better and more quickly than they had before seen anyone do, and we have been told by one of them that 'she picked up every scrap of information concerning painting, sculpture, poetry, music, &c., as if it were gold.' The list she drew up a year or two earlier of the great artists whose works she wished to see, shows us that her interest in art, even in her thirteenth year, led her to read of them and their productions. On her return home in 1832, Charlotte wrote on the 21st July respecting her course of life at the parsonage: 'In the morning, from nine o'clock till half-past twelve, I instruct my sisters, and draw; then we walk till dinner-time. After dinner I sew till tea-time, and after tea I either write, read, or do a little fancy-work, or draw as I please.' Charlotte also told Mrs. Gaskell 'that, at this period of her life, drawing, and walking with her sisters, formed the two great pleasures and relaxations of her day.' Mr. Brontë, observing that his son and daughters took pleasure in the art of drawing, and believing this to be one of their natural gifts that ought to be cultivated, perhaps as an accomplishment which they might some time find useful in tuition, obtained for them a drawing-master. But he also observed that Branwell excelled his sisters in the art, while he likewise painted in oils, and he may at times have had some hope that his son would become a distinguished artist.