This tradition, and Branwell's intended work on the subject, became often a topic of conversation both at Haworth and Halifax: and, it is not improbable that, some ten years afterwards, when Mrs. Gaskell was searching at the former place for materials for her work, the story of this ancient elopement had become mixed with the stories of the village respecting Branwell and the lady of his late employer, and thus, with them, was ready for Mrs. Gaskell's hand, additions having been made as to time and place. CHAPTER VII. THE SISTERS' POEMS AND NOVELS.--BRANWELL'S LITERARY OCCUPATIONS. The Sisters as Writers of Poetry--They Decide to Publish--Each begins a Novel--The Spirit under which the Work was Undertaken-- 'The Professor'--'Agnes Grey'--'Wuthering Heights'--Branwell's Condition--A Touching Incident--'Epistle from a Father to a Child in her Grave'--Letter with Sonnet--Publication of the Sisters' Poems. If Branwell Brontë had devoted himself to literature under the impulse of his misfortune, his sisters were not long unoccupied ere they also entered upon its pursuit. 'One day, in the autumn of 1845,' says Charlotte, 'I accidentally lighted on a MS. volume of verse in my sister Emily's handwriting.' The elder sister was not surprised, knowing that the younger could and did write verse; but she thought these were no common effusions. 'To my ear,' she says, 'they had also a peculiar music--wild, melancholy, and elevating. My sister Emily was not a person of demonstrative character, nor one on the recesses of whose mind and feelings even those nearest and dearest to her could, with impunity, intrude unlicensed; it took hours to reconcile her to the discovery I had made, and days to persuade her that such poems merited publication.' Charlotte Brontë here grasped, with unfailing precision, the very secret spell which we find in Emily's poetry; the strange, wild, weird voice, with which it speaks to us, spoke first of all to her, and she felt the heather-scented breath, even as we do, of the moorland air on which its music was borne. Anne also produced verses, which had 'a sweet, sincere pathos of their own;' and the three sisters, believing, after anxious deliberation, that they might get their respective productions accepted for publication in one volume, set on foot inquiries on the subject, and now adopted the pseudonyms of Currer, Ellis, and Acton Bell, which were afterwards to become so famous. It was not, however, to be expected that the effusions of inexperienced and unknown writers would be of such value as to induce any publisher to take them on his own risk. Indeed, Miss Brontë says 'the great puzzle lay in the difficulty of getting answers of any kind from the publishers to whom we applied.' She wrote to Messrs. Chambers, of Edinburgh, asking advice, and received a brief and business-like reply, upon which the sisters acted, and at last made way.