"The Company is very glad to get as much as we can send it of actual
illustration of our labours, so we make it a point to snap these scenes
from time to tune. There is one picture, however, which was not taken
for the Company. Hackett asked me to hold the lens on him for a shot to
send to somebody up North there, so he went inside and freshened up a
bit and came out grinning. I grinned back as I took the picture, and
said I was glad to see him so cheerful. He replied that the smile was
not for me--that though he had apparently looked at me he had really
been looking through me at a person about as different from myself as I
could well imagine.
"It's a poor rule that doesn't work both ways, so I then took my place by
the door of our palatial residence, and gazed--apparently--at Hackett's
Indian-red visage. I found it entirely possible to forget, as he had
done, the chap before me, and see instead--well--look at the picture! And
please don't let those lashes drop too soon. When I imagine them they
always do!"
It was thus that the correspondence went on. Dorothy never replied
directly to such paragraphs as these, but she did send him, a few
weeks after the arrival of the Colombian photographs, a little
snapshot of herself taken in winter costume as she was coming down the
steps of her home. It was an exquisite bit of portraiture, even though
of small proportions, and it called forth the most daring response he
had yet made:
"I know you wouldn't want it pinned up in the shack, and it's much too
valuable to risk leaving it among my other possessions there. So I carry
it about in an old leather letter case in my pocket. I hope you don't
mind. I'm a little afraid of wearing it out, so I've constructed a sort
of a frame for it, out of a heavy linen envelope, which will bear
handling better than the little picture.... You are looking straight out
at me--at _me_? I wish I knew it! Won't you tell me--Dorothy? You can
trust me--can't you? There are some things which can't be said at long
distance; they must wait. I get to feeling like a storage battery
sometimes--overcharged! Meanwhile, trust me--Dorothy!"
But she would send him only this:
"Of course I was looking at you. Why not? It's only courtesy to recognize
the salutation of a gentleman disguised in working clothes, standing in
the door of a queer-looking South American residence. Besides--he looks
rather well, I think!"
One April evening Mr. Julius Broughton, sitting comfortably in his room
in a certain well-known building at a well-known university, was summoned
to telephone. Bringing his feet to the floor with a thump, flinging aside
his book and puffing away at his pipe, he lounged unwillingly to the
telephone box. The following conversation ensued, causing a sudden and
distinct change in the appearance of the young man.
"Broughton," he acknowledged the call. "Broughton? This is
Waldron--Kirke Waldron."
"Who?"
"Waldron; up from Colombia, South America. Forgotten me?"
Public-domain text, read in full here on John Shaqi.
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