“It presents a most glorious spectacle, extraordinary to those who
behold it, and altogether incredible to those who know it by
report only. In height it rises to the very heavens, and overtops
the neighbouring buildings like a ship anchored among them. It
towers above the city which it adorns, and from it the whole of
Constantinople can be beheld, as from a watch-tower. Its breadth
and length are so judiciously chosen, that it appears both broad
and long without disproportion. For it excels both in size and
harmony, being more magnificent than ordinary buildings, and much
more elegant than the few which approach it in size. Within it is
singularly full of light and sunshine; you would declare that the
place is not lighted from without, but that the rays are produced
within itself, such an abundance of light is poured into it. The
gilded ceiling adds glory to its interior, though the light
reflected upon the gold from the marble surpasses it in beauty.
Who can tell of the splendour of the columns and marbles with
which the church is adorned? One would think that one had come
upon a meadow full of flowers in bloom—one wonders at the purple
tints of some, the green of others, the glowing red and glittering
white, and those, too, which nature, like a painter, has marked
with the strongest contrasts of colour. Moreover, it is impossible
accurately to describe the treasures of gold and silver plate and
gems which the Emperor has presented to the church: the Sanctuary
alone contains forty thousand pounds weight of silver.”
Justinian was almost as great a builder of forts as of churches, but his
military works have for the most part disappeared. It may give some idea
of his energy in fortifying the frontiers when we state that the Illyrian
provinces alone were protected by 294 forts, of which Procopius gives a
list, disposed in four successive lines from the Danube back to the
Thessalian hills. Some were single towers, but many were elaborate
fortresses with outworks, and all had to be protected by garrisons.
Public-domain text, read in full here on John Shaqi.
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