Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
For the only time in my life I saw the beautiful and unhappy Mrs. Darrell
who had come to take leave of her Roman friends. As she entered the room
a silence fell upon the company; there was something antique, something
Plato would have seized upon in the effect of her beauty. She made much
of it, with that touch of conceit that we allow to a great musician
listening exaggeratedly to his own perfect phrasing, or to the actor who
sets aside author, fellow-players and the fable itself, in order to
improvise the last excessive moments of a death scene. She dressed, she
glanced, she moved and spoke as only uncontested beauties may: she too
revived a lost fine art. To this virtuosity of appearing, her illness
and suffering had added a quality even she could not estimate, a magic
of implied melancholy. But all this perfection of hers was
unapproachable; none of her dearest friends, not even Miss Morrow, dared
to kiss her. She was like a statue in a solitude. She presuffered her
death, and her spirit was set in defiance. She hated every atom of a
creation where such things were possible. The next week she was to
retire to her villa at Capri with her collection of Mantegnas and
Bellinis and to live through four months with their treacherous
love-affair and to die. But this day in the serenity of the selfishness
that was her perfection and the selfishness that was her illness she
effaced the room.
He would have loved me if I had looked like that, breathed Alix into my
ear, and sinking into a retired chair covered her mouth with her hand.
Mme. Agaropoulos took Helen Darrell's fingertips a little timidly and
led her to the finest chair. No one seemed able to say anything. Luigi
and Vittorio, sons of the house, went up and kissed her hand; the
American ambassador approached to compliment her.
She is beautiful. She is beautiful, muttered Alix to herself. The world
is hers. She will never have to suffer as I must. She is beautiful.
It would not have consoled the Princess if I had explained to her that
Helen Darrell, having been admired extravagantly from the cradle had
never been obliged to cultivate her intelligence to retain her friends
and that, if I may say it respectfully, her mind was still that of a
school-girl.
Public-domain text, read in full here on John Shaqi.
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