Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
What a young man! How many of you Americans are like that? I suppose you
never met him, Princess? ...
Yes, replied Alix, I knew him too.
Such intelligence! He is surely the greatest instinctive scholar I have
ever met, and, believe me, perhaps he is all the greater for never
putting anything down on paper. And such modesty, Princess,--the modesty
of the great scholar that knows that all the learning one human head can
hold is but a grain of dust. I spent two whole nights over his notebooks
and I honestly felt as though I had brushed against a Leonardo, really,
a Leonardo.
We both stood rapt, listening to the waves of happy praise when suddenly
I became aware that the Princess had fainted beside me with a happy
smile upon her face.
BOOK FOUR: ASTRÉE-LUCE AND THE CARDINAL
There was a vague understanding among the members of the Cabala that I
was engaged upon the composition of play about Saint Augustine. None of
my friends had ever seen the manuscript (even I was surprised to come
upon it every now and then at the bottom of my trunk), but it was
treated with enormous respect. Mlle de Morfontaine especially kept
asking about it, kept walking about on tiptoes and glancing at it
sideways. It was to this that she was alluding in the note I received
soon after Blair's frightened departure: Try and arrange to come up to
the Villa for a few weeks. It is perfectly quiet until five o'clock
every afternoon. You can work on your poem.
It was my turn for a little peace. I had so recently passed through the
desperations of Marcantonio and Alix. I sat holding the note for a long
while, my wary nervous system begging me to be cautious, begging me to
make sure that no hysterical evenings could possibly lie behind it. Here
was a place where it was perfectly quiet until five o'clock every
afternoon. It was five o'clock every morning that I wanted to be
reassured about. You can work on your poem. Surely the only vexation
that could proceed from that wonderful lady lay exactly there,--she
would be asking me every morning about the progress on the Third Act. It
would be good for me to be hectored about my play. And what wonderful
wines she stored. To be sure the lady was mad, indubitably mad. But mad
in a nice way, with perfect dignity; decently mad on a million a year.
I wrote her I would come.
What could have been more reassuring than the first days? Mornings of
sunlight when the dust settled thicker on the olive-leaves; when the
terraced hillside seemed to be powdering away; when no sound reached the
garden but the cry of a carter in the road, the cooing of doves,
stepping high along the eaves of the gardener's shed, and the sound of
the waterfall with its mysterious retardations, a sound of bronze. I ate
luncheon alone under a grape arbor. The rest of the day was spent in
roaming over the hills or among the high chairs of Astrée-Luce's rich
and curious library.
Public-domain text, read in full here on John Shaqi.
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