3. A third cause, which from the first had exercised a most baleful influence upon the arts and upon literature in Rome, had by this time matured its disastrous tendencies towards the extinction of the moral sensibilities. This was the circus, and the whole machinery, form and substance, of the Circensian shows. Why had tragedy no existence as a part of the Roman literature? Because--and _that_ was a reason which would have sufficed to stifle all the dramatic genius of Greece and England--there was too much tragedy in the shape of gross reality, almost daily before their eyes. The amphitheatre extinguished the theatre. How was it possible that the fine and intellectual griefs of the drama should win their way to hearts seared and rendered callous by the continual exhibition of scenes the most hideous, in which human blood was poured out like water, and a human life sacrificed at any moment either to caprice in the populace, or to a strife of rivalry between the _ayes_ and the _noes_, or as the penalty for any trifling instance of awkwardness in the performer himself? Even the more innocent exhibitions, in which brutes only were the sufferers, could not but be mortal to all the finer sensibilities. Five thousand wild animals, torn from their native abodes in the wilderness or forest, were often turned out to be hunted, or for mutual slaughter, in the course of a single exhibition of this nature; and it sometimes happened, (a fact which of itself proclaims the course of the public propensities,) that the person at whose expense the shows were exhibited, by way of paying special court to the people and meriting their favor, in the way most conspicuously open to him, issued orders that all, without a solitary exception, should be slaughtered. He made it known, as the very highest gratification which the case allowed, that (in the language of our modern auctioneers) the whole, "without reserve," should perish before their eyes. Even such spectacles must have hardened the heart, and blunted the more delicate sensibilities; but these would soon cease to stimulate the pampered and exhausted sense. From the combats of tigers or leopards, in which the passions could only be gathered indirectly, and by way of inference from the motions, the transition must have been almost inevitable to those of men, whose nobler and more varied passions spoke directly, and by the intelligible language of the eye, to human spectators; and from the frequent contemplation of these authorized murders, in which a whole people, women [Footnote: Augustus, indeed, strove to exclude the women from one part of the circension spectacles; and what was that? Simply from the sight of the _Athletæ_, as being naked. But that they should witness the pangs of the dying gladiators, he deemed quite allowable. The smooth barbarian considered; that a license of the first sort offended against decorum, whilst the other violated only the sanctities of the human heart, and the whole sexual