enormities and hideous excesses of the Roman Imperator. The hot blood which excites, and the adventurous courage which accompanies, the excesses of sanguinary warfare, presuppose a condition of the moral nature not to be compared for malignity and baleful tendency to the cool and cowardly spirit of amateurship, in which the Roman (perhaps an effeminate Asiatic) sat looking down upon the bravest of men, (Thracians, or other Europeans,) mangling each other for his recreation. When, lastly, from such a population, and thus disciplined from his nursery days, we suppose the case of one individual selected, privileged, and raised to a conscious irresponsibility, except at the bar of one extra-judicial tribunal, not easily irritated, and notoriously to be propitiated by other means than those of upright or impartial conduct, we lay together the elements of a situation too trying for poor human nature, and fitted only to the faculties of an angel or a demon; of an angel, if we suppose him to resist its full temptations; of a demon, if we suppose him to use its total opportunities. Thus interpreted and solved, Caligula and Nero become ordinary men. But, finally, what if, after all, the worst of the Cæsars, and those in particular, were entitled to the benefit of a still shorter and more conclusive apology? What if, in a true medical sense, they were insane? It is certain that a vein of madness ran in the family; and anecdotes are recorded of the three worst, which go far to establish it as a fact, and others which would imply it as symptoms--preceding or accompanying. As belonging to the former class, take the following story: At midnight an elderly gentleman suddenly sends round a message to a select party of noblemen, rouses them out of bed, and summons them instantly to his palace. Trembling for their lives from the suddenness of the summons, and from the unseasonable hour, and scarcely doubting that by some anonymous _delator_ they have been implicated as parties to a conspiracy, they hurry to the palace--are received in portentous silence by the ushers and pages in attendance--are conducted to a saloon, where (as in every where else) the silence of night prevails, united with the silence of fear and whispering expectation. All are seated--all look at each other in ominous anxiety. Which is accuser? Which is the accused? On whom shall their suspicion settle--on whom their pity? All are silent--almost speechless--and even the current of their thoughts is frost-bound by fear. Suddenly the sound of a fiddle or a viol is caught from a distance--it swells upon the ear--steps approach--and in another moment in rushes the elderly gentleman, grave and gloomy as his audience, but capering about in a frenzy of excitement. For half an hour he continues to perform all possible evolutions of caprioles, pirouettes, and other extravagant feats of activity, accompanying himself on the fiddle; and, at length, not having once looked at