Cumberland Mountains -- Fiction; Mountain life -- Fiction
Samson was far too young to vote, but he was old enough to fight, and
the account he had given of himself, with the inherited rifle smoking,
gave augury of fighting effectiveness. So sanguinary had been this
fight, and so dangerously had it focused upon the warring clans the
attention of the outside world, that after its indecisive termination,
they made the compact of the present truce. By its terms, the Hollmans
held their civil authority, and the Souths were to be undisturbed
dictators beyond Misery. For some years now, the peace had been
unbroken save by sporadic assassinations, none of which could be
specifically enough charged to the feud account to warrant either side
in regarding the contract as broken. Samson, being a child, had been
forced to accept the terms of this peace bondage. The day would come
when the Souths could agree to no truce without his consent. Such was,
in brief, the story that the artist heard while he painted and rested
that day on the rock. Had he heard it in New York, he would have
discounted it as improbable and melodramatic. Now, he knew that it was
only one of many such chapters in the history of the Cumberlands. The
native point of view even became in a degree acceptable. In a system of
trial by juries from the vicinage, fair and bold prosecutions for crime
were impossible, and such as pretended to be so were bitterly tragic
farces. He understood why the families of murdered fathers and brothers
preferred to leave the punishment to their kinsmen in the laurel,
rather than to their enemies in the jury-box.
The day of painting was followed by others like it. The disabling of
Lescott's left hand made the constant companionship of the boy a matter
that needed no explanation or apology, though not a matter of approval
to his uncle.
Another week had passed without the reappearance of Tamarack Spicer.
One afternoon, Lescott and Samson were alone on a cliff-protected
shelf, and the painter had just blocked in with umber and neutral tint
the crude sketch of his next picture. In the foreground was a steep
wall, rising palisade-like from the water below. A kingly spruce-pine
gave the near note for a perspective which went away across a valley of
cornfields to heaping and distant mountains. Beyond that range, in a
slender ribbon of pale purple, one saw the ridge of a more remote and
mightier chain.
Public-domain text, read in full here on John Shaqi.
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