He soon was brought to realize that rigid limitations were upon him not
only by the colour-line which was drawn straight as a knife’s edge from
top to bottom of Washington, but by fences and barriers inside the
confines of his own race against which he stumbled repeatedly and
blindly before he dreamed they existed. On several occasions he had met
with slight rebuffs in his friendly advances to persons of his own
colour, and ascribed them to ill-temper or uncouth manners; but he
finally received a jolt which waked him up—in this fashion:
He dropped in at the most imposing negro church in the city one Sunday
evening, and heard a young woman of comely face and person, dressed in
perfect taste, sing a solo which, in the sentiment and the purity and
pathos of the singer’s voice, met his idea of all that is exquisite in
song. When the service was finished he spoke to a well-groomed man past
middle age who had sat beside him.
"The young lady who sang did it with marvellous taste and beauty. She
knows both how to sing and what to sing; and since I’m at it I may as
well say that she’s no-end good-looking."
The older man could not conceal his satisfaction and interest, for he
had expended many dollars on the singer.
"I’m delighted you think so," he returned. "My daughter has had great
advantages and she ought to sing well."
"Your daughter?" said Hayward. "You should be very proud of her. Will
you not introduce me to her? I’d like to thank her for my share. I am
John Hayward"—and feeling some identification was necessary—"footman at
the White House."
"Excuse me, suh," said the other, with but a very slightly overdone
manner; "we don’t introduce strangers to our families—specially
footmen."
The father’s manner was not intended to be offensive, but his answer
verily exploded in Hayward’s face. Thanks to the younger man’s training
he did not wince or change countenance, but he was so bursting full of
wrath that he never knew whether any further word was spoken between
them. He moved with the throng toward the door, but stepped into a
vacant pew for fear he would run over some one in furious impatience.
True it was that in his attempt to volunteer three years before, he had
been roughly impressed with the idea that there was some recognized
difference between a white man and a negro, and in his association with
the rough troopers of the 10th Cavalry he had become in a measure
converted to the correctness of the proposition generally: "but," he
thought in infuriated scorn, "I’m as good as any _nigger_ that ever drew
breath! A footman, am I?"—and he threw back his head with pride as he
recalled his answer to the man from Pittsburg—but dropped it again with
some humility at the thought that he was now a footman for the money it
brought. At the door he spoke to an usher.
"Who was the young woman who sang?"
"Miss Porter—old Henry Porter’s daughter."
Public-domain text, read in full here on John Shaqi.
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