The Cathedral Church of Canterbury [2nd ed.]: A Description of Its Fabric and a Brief History of the Archiepiscopal SeeWithers, Hartley
History
The Cathedral Church of Canterbury [2nd ed.]: A Description of Its Fabric and a Brief History of the Archiepiscopal See
Withers, Hartley
Canterbury Cathedral
usage at the hands of the restoring enthusiasts, who surrounded the choir
with classical wainscoting after the Restoration. It is the monument of
Archbishop Bourchier, a staunch supporter of the House of York; he was
primate for thirty-two years, from 1454 to 1486, and crowned Edward IV.,
Richard III., and Henry VII. The "Bourchier knot" is among the decorations
which enrich the canopy of his tomb.
#The South-East Transept.#--According to the present custom of the
Canterbury vergers, the visitor is led from the choir to the south-east
transept. "In the choir of Ernulf," says Willis, "the transepts were cut
off from the body by the continuity of the pier-arches and the wall above,
and each transept was therefore a separate room with a flat ceiling....
But in the new design of William the transepts were opened to the central
portion, and the triforium and clerestory of the choir were turned at
right angles to their courses, and thus formed the side walls of the
transepts.... The entire interior of the eastern transept has been most
skilfully converted from Ernulfian architecture to Willelmian (if I may be
allowed the phrase for the nonce). It was necessary that the triforium and
clerestory of the new design should be carried along the walls of these
transepts, which were before the fire probably ornamented by a
continuation of those of Ernulf. But the respective level of these
essential members were so different in the old and new works that the
only parts of them that could be retained were the windows of the old
clerestory, which falls just above the new triforium tablet, and
accordingly these old windows may still be seen in the triforia of the
transepts, surmounted by the new pointed clerestory windows. But the whole
of the arcade work and mouldings in the interior of these transepts
belongs to William of Sens, with the sole exception of the lower windows.
Even the arches which open from the east wall of these transepts to the
apses have been changed for pointed arches, the piers of which have a
singularly elegant base."
Public-domain text, read in full here on John Shaqi.
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