The late Tudor monument to the first Bishop of Oxford, _Robert King_, has been removed from its former place under his window to the bay between the aisle and St. Lucy's Chapel, where it now forms a sort of small screen to the little chapel. Bishop King died in 1557; his tomb is recessed, canopied, and covered with shallow panel-work in minute divisions, but without any effigy, sculptured or incised. Though it is among the last works of the mediæval school of monumental architecture, it is still graceful and restrained; and indeed a great contrast to the new style of monument which came in a few years later. _Inscription:--Hic jacet Robertus King sacre theologie Professor et primus Ep'us Oxon. qui obiit quarto die Decembris Anno (Domini M.D. LVII)_. Crossing to the north side of the choir, one reaches the beautiful cluster of chapels which add so much to the grace of the cathedral, relieving it of any grimness of aspect which its unbroken array of massive columns might otherwise have produced, and by their unaffected dissimilarity enhancing at once its historical interest and its visible charm. Here the eye wanders among pillars and arches which branch away in so many directions that the grandest churches can scarcely give more thoroughly the idea of infinity. And here one stands on the site of St. Frideswide's first little church, with the very arches that she had built for her, still standing in all their primitive simplicity. These three aisles, and the south aisle on the opposite side of the choir, are indeed eloquent of the unpretentious, lasting work that brave women have done for humanity: the latter has become, through its window, sacred to the memory of St. Catherine, whose own Latin Chapel is now for the same reason inseparably connected with St. Frideswide. St. Cecilia looks down upon the aisle next the choir, and the chapel of Our Lady is separated from it only by the monument of the Saxon maiden, while St. Lucy has given her name to the fifth and smallest of these eastern chapels. Thus has this great society of learned men taken pleasure in doing honour to the good women of Christendom.