The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal SeeSweeting, W. D. (Walter Debenham)
History
The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal See
Sweeting, W. D. (Walter Debenham)
Peterborough Cathedral
=The New Building= built beyond the apse is a very noble specimen of
late Perpendicular work. It was begun by Abbot Richard Ashton
(1438-1471), and completed by Abbot Robert Kirton (1496-1528): the works
seem to have been suspended between these periods. The roof has the
beautiful fan tracery, very similar on a smaller scale to that at King's
College Chapel at Cambridge. The building is of the width of the choir
and aisles together. It contained three altars at the date of the
suppression of monasteries, "upon each altar a Table of the Passion of
Christ, Gilt."
The central bay has been recently fitted up for early celebrations of
the Holy Communion. The junction of this addition with the original
Norman apse is admirable, and should be specially noticed. Parts of the
original external stringcourse of the apse can be seen. The
ornamentation on the bosses of the roof, and in the cavetto below the
windows, and round the great arches from the choir aisles, is very
varied. It must be sufficient here to indicate some of the designs. Most
need little explanation, but a few are hard to understand. On the roof
may be seen the three lions of England, a cross between four martlets,
three crowns each pierced by an arrow, and another design. The smaller
designs include four-leaved flowers, Tudor roses, fleurs-de-lys, the
portcullis, some undescribable creatures, crossed keys, crossed swords,
crossed crosiers, crosses, crowns, crowns pierced with arrows, crowned
female heads, an eagle, the head of the Baptist in a charger, an angel,
mitres, three feathers rising from a crown, S. Andrew's cross, and
perhaps others. There are also some rebuses, and some lettering. On the
north wall, in six several squares, are the letters of the name Ashton
interwoven with scrolls; the letters AR before a church, and a bird on a
tun occur more than once. This certainly refers to Abbot Robert Kirton;
but what the bird means is not clear. In the moulding over the large
arch to the south choir aisle are four sets of letters. They form the
last verse of the psalter. The words are contracted: they stand for
_Omnis spiritus laudet Dominum_.
Public-domain text, read in full here on John Shaqi.
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