The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal SeeSweeting, W. D. (Walter Debenham)
History
The Cathedral Church of Peterborough: A Description Of Its Fabric And A Brief History Of The Episcopal See
Sweeting, W. D. (Walter Debenham)
Peterborough Cathedral
The width of both choir and transepts is about 23 feet. The choir was
not apsidal. The south wall of the south transept was just beyond the
wall of the existing building; the extreme east end was almost exactly
underneath the pillars in the present transept; the west wall of the
south transept of the Saxon church was under the practising room; the
nave extended into the cloister court. Near the south end of the
excavations was discovered a portion of a Saxon altar _in situ_. No
remains have been found of the nave (see plan, p. 9).
[Illustration: Evangelistic Symbols, from Lantern Tower Roof.]
The roofs of both transepts are flat, and, except where rotten boards
have been replaced, original. They are now uncoloured, but formerly were
painted in black and white diamond patterns. All the windows at the
north and south ends are Norman, with Perpendicular tracery.
[Illustration: Evangelistic Symbols, from Lantern Tower Roof.]
The lantern tower has a fine groined roof, carefully restored and well
painted. In the centre is a representation of the Saviour; eight
coloured shields have the emblems of the Passion; four have the
evangelistic symbols.
[Illustration: Boss from Lantern Tower Roof.]
=The Nave=, notwithstanding the years it took to build, the change of
architecture that was coming into use as it was being finished, and the
alteration in plan that was decided upon towards the end, is a very
complete and almost uniform structure. There are ten bays, all having
round arches; in the triforium each large arch has two smaller ones
beneath it; and in each bay of the clerestory is one high arch and two
smaller ones. The triforium arches in the two easternmost bays, on both
sides, have the hatchet ornamentation in the tympanum; this may either
mark the limits of the old Benedictine choir, or may simply suggest
earlier work. Almost the only indication of distinct later work, as we
proceed towards the west, is in the different forms of the bases of the
piers. The arcading of the aisles curiously changes towards the west in
both aisles, but not at corresponding points; the change consists in
the reversing the interlacing of the arches. The third pillars from the
west end on either side are not really, strictly speaking, pillars at
all. They were built as supports to two western towers which it was
intended certainly to erect at this point, even if they were not at
least in part built. There are many other little details in the
neighbourhood of these piers, all confirming Mr Paley's discovery with
respect to these contemplated towers, one at any rate of which he thinks
was actually erected. The pillars are cylindrical with numerous attached
shafts. In addition to the changed form of the bases, careful observers
can detect proofs of later work in the capitals of the shafts in the
triforium. In front of each pier a shaft rises to the roof; and on these
the original ceiling rested. On some of the piers in the south aisle,
Public-domain text, read in full here on John Shaqi.
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