The emperor's sister, Sancha, a pious infanta, bequeathed her vast fortune as well as her palace to San Isidoro, her favourite saint; the church in Leon became, consequently, one of the richest in Spain, a privilege it was, however, unable to retain for any length of time. In 1029, shortly after the erection of the primitive building, its front was sullied, according to the tradition, by the blood of one Count Garcia of Castile. The following is the story: The King of Asturias at the time was Bermudo II., married to Urraca, the daughter of Count Sancho of Castile. Political motives had produced this union, for the Condes de Castile had grown to be the most important and powerful feudal lords of the kingdom. To assure the count's assistance and friendship, the king went even further: he promised his sister Sancha to the count's son Garcia, who lost no time in visiting Leon so as to become acquainted with his future spouse. Three sons of the defeated Count of Vela, a Basque nobleman whom the Counts of Castile had put to death, were in the city at the time. Pretending to be very friendly with the young _fiancé_, they conspired against his life, and, knowing that he paid matinal visits to San Isidoro, they hid in the portal one day, and slew the youth as he entered. The promised bride arrived in haste and fell weeping on the body of the murdered man; she wept bitterly and prayed to be allowed to be buried with her sweetheart. Her prayer was, of course, not granted: so she swore she would never marry. She was not long in breaking this oath, however, for a few months later she wedded a prince of the house of Navarra. The present state of the building of San Isidoro is ruinous, thanks to a stroke of lightning in 1811, and to the harsh treatment bestowed upon the building by Napoleon's soldiers during the War for Independence (1808). Seen from the outside, the edifice is as uninteresting as possible; the lower part is constructed in the early Latin Romanesque style; the upper, of a posterior construction, shows a decided tendency to early Gothic. The apse was originally three-lobed, composed of three identical chapels corresponding to the nave and aisles; in the sixteenth century the central lobe was prolonged and squared off; the same century saw the erection of the statue of San Isidoro in the southern front, which spoiled the otherwise excellently simple Romanesque portal.