Individual natures should be consulted, that we may develop them according to their capacities. I would not create factitious talents by a culture which nature does not demand, but neither would I leave uncultivated those she has bestowed. Nothing is more dangerous for a woman than incomplete development, half-knowledge, a half-talent that shows her glimpses of broader horizons without giving force to reach them, makes her think she knows what she does not know, and fills her soul with trouble and bewilderment, combined with a pride that often betrays itself in sad misconduct. When equilibrium is not established between aspiration and the power to realize it, the soul, after making fruitless struggles to attain its ideal, becomes discontented with common life, and, craving some excitement of mind and imagination, seeks it in emotions and pleasures always dangerous and often culpable. If you do not direct the flame upward, it will feed upon the coarsest earthly aliment. A superior person once said to me: "In art, mediocrity is to be above all things feared. A great talent escapes many dangers. The impetus once given, one must reach the goal; otherwise, who can say how low one may fall?" {37} Terrible examples of this I have seen, showing me what becomes of smothered faculties and of a rich nature rendered abortive. [Footnote 6] [Footnote 6: I know a woman endowed with a creative faculty which her education has tended to crush. One feels in her incomplete and suffering nature a sort of interior discord. Ill at ease with herself, she seeks excitement in dress and in frivolous distractions. People attribute these defects to her artistic nature. On the contrary, she would not suffer if she possessed the plenitude of her faculties. She has not been allowed to cultivate fully the talent bestowed by God; she has never arrived at the genuine power of production or reached the repose of legitimate interior satisfaction.] VI. Fatal Results of Ignorance and Levity in Women.