Mr. Sinclair gave his shoulders a just perceptible shrug. "Do you know all the people here?" he asked, observing that Margaret looked searchingly over the company. "Let me play Helen on the walls of Troy, and point out the notables whom you do not know. That antique-cameo-faced gentleman whom you are looking at now is the Rev. Mr. Southard. He is misnamed of course. He should be called after something boreal, Does not he make you shiver? He lives with my cousin, whom I saw you standing beside down there. Louis likes him, or pretends to. Mr. Southard is not so much a modern minister, as a theological reminiscence. He belongs among the crop-heads; I have somewhere heard that he was a wild lad, and is now doing penance. It is likely. One doesn't bar a sheep-fold as one does a prison. He appears to be a little off guard now, for a breath seems to have forgotten predestination. When he looks like that, I am always reminded of something pagan, He'd be horrified, of course, if he knew it. Mark that Olympian look of painless melancholy, and the blue, motionless eye. What a cold, marble face he has! Being too polished to retain heat, he remains unmoved in the midst of enthusiasm. That's philosophy, isn't it? He is one of those who fancy that ceasing to be human, they become superhuman. They mistake the prefix, that's all. But Mr. Southard bristles with virtues. I must own that I never knew a man so forgiving toward other people's enemies." "I know Mr. Southard well by reputation," Margaret interrupted rather warmly. "He is human, of course, and so, fallible; but every mountain in his soul is a Sinai!" {42} "Oh! he has his good points," Mr. Sinclair admitted tranquilly. "I have known him to be surprised into a glorious laugh, for which, to be sure, he probably beat himself afterward; and he has a temper that peeps out now and then in a delightfully human fashion. I have detected in him, too, a carnal weakness for French chocolate, and a taste for pictures, even the pictures of the Babylonians. Once I saw him stand five minutes before a faded old painting of Cimabue's; I believe it was a virgin standing between two little boys who leaned to kiss each other, a hand of hers on either head, I don't condemn the man _in toto_. I like his faults; but I detest his virtues!