So little is known of Spanish American literature that any fresh report from its pages seems to have the nature of a revelation. Our acquaintance with Heredia, Placido, Milanes, Mendive, Carpio, Pesado, Galvan, Calderon, is slight or naught; yet these poets are most interesting on account of the countries, peoples, and causes for which they speak eloquently, even if we deny that they add greatly to the genuine substance of our literary possession. Less question, however, can be entertained of the importance of some older names whose fame made for itself a refuge in the Spanish churches and cloisters of the New World long before revolutionists took to shooting the Muses on the wing. In the seventeenth century lived and wrought Cabrera, Siguenza, and Sor or Sister Juana Ines. They belonged to a country which claimed for awhile as its scholars, though not as its natives, Doctor Valbuena, author of the very well-known epical fantasy called _The Bernardo_, and Mateo Alaman, who wrote the famous story of _Guzman de Alfarache_. Juan Ruiz de Alarcon, one of the most remarkable dramatic poets of a great dramatic age, was a native of that same country, Mexico. Siguenza, as mathematician, historian, antiquary, and poet, has been well esteemed by Humboldt and the scholars of his own race. It is much to say that the land which produced an artist as great as Cabrera also gave birth to a scholar and poet as renowned in her day and as appreciable in ours as Sor Juana Ines de la Cruz. Among all these celebrities, who would have been eminent in any time among any people, this Mexican nun of the seventeenth century holds a place of her own. Looking back upon the past with all our modern light, we cannot but regard her as one of the most admirable characters of the New World.