The Catholic World, Vol. 21, April, 1875, to September, 1875: A Monthly Magazine of General Literature and ScienceVarious
Religion
The Catholic World, Vol. 21, April, 1875, to September, 1875: A Monthly Magazine of General Literature and Science
Various
Catholic Church -- Periodicals
His account is so long and minute that we have been obliged to condense
it slightly:
“The day opened with a procession, headed by a crowd of
musicians and Biscayans with tambourines and castanets; then
followed many dancers in gay dresses, who sprang about and
danced as gayly as though they were celebrating the carnival.
“The king attended Mass at Santa Maria, near the palace, and
after the service came out of the church bearing a candle in
his hand.
“The repository containing the Host occupied the first place;
then came the grandees and different councils.
“At the head of the procession were several gigantic figures
made of pasteboard, and moved by persons concealed within. They
were of various designs, and some looked frightful enough; all
represented women, except the first, which consisted only of
an immense painted head borne by a very short man, so that the
whole looked like a dwarf with a giant’s head.
“There were besides two similar figures representing a Moorish
and an Ethiopian giant, and a monster called the _tarrasca_.
“This is an enormous serpent, with a huge belly, long tail,
short feet, crooked claws, threatening eyes, powerful,
distended jaws, and entire body covered with scales.
“Those who are concealed within cause it to writhe so that its
tail often knocks off the unwary bystanders’ hats, and greatly
terrifies the peasants.
“In the afternoon, at five o’clock, the _autos_ were performed.
These are religious plays, between which comic interludes are
given to heighten and spice the solemnity of the performance.
“The theatrical companies, of which there are two in Madrid,
close their theatres during this time, and for a month perform
nothing but such religious plays, which take place in the open
air, on platforms built in the streets.
“The actors are obliged to play every day before the house
of one of the presidents of the various councils. The first
representation is before the palace, where a platform with a
canopy is erected for their majesties.
“At the foot of this canopy is the theatre; around the stage
are little painted houses on wheels, from which the actors
enter, and whither they retire at the end of every scene.
“Before the performance the dancers and grotesque figures amuse
the public.
“During the representation lights were burned, although it
was day and in the open air, while generally other plays are
performed in the theatres in the daytime without any artificial
light.”
Public-domain text, read in full here on John Shaqi.
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