The Catholic World, Vol. 26, October, 1877, to March, 1878Various
Religion
The Catholic World, Vol. 26, October, 1877, to March, 1878
Various
Catholic Church -- Periodicals
The terrace between the chapel of Our Lady and that of St. Michael is
called in ancient documents the Platea S. Michaelis. Here all official
acts relating to the abbey were formerly drawn up. The overhanging
cliff, that rises above it to the height of two hundred and twenty feet,
gives it the appearance of a cavern. Built into it, on the left, is the
chapel of St. Michael, on the outer wall of which, suspended by an iron
chain, is a long, rusty weapon popularly known as the sword of Roland.
Not that it is the very blade with which the Pyrenees were once cleft
asunder and so many kingdoms won. That shone as the sun in its golden
hilt, the day the mighty Paladin came, on his way to Spain, to
consecrate it to the Virgin of Roc Amadour and then redeem it with its
weight in silver; whereas this is as dim and uncouth as the veriest spit
that ever issued from a country forge. The wondrous Durandel, to be
sure, was brought back after Roland’s death and hung up before the altar
of Notre Dame de Roc Amadour, to whom it had been vowed, where it
remained till carried off by Henry Court-Mantel, who, adding sacrilege
to hypocrisy, came here in 1183 on the pretext of a pilgrimage, and, in
order to pay the soldiers who served him in his rebellion against his
father, pillaged the holy chapel so revered by King Henry. But his crime
did not remain unpunished. He was soon after seized with a fatal
illness, and died, but not unabsolved, in the arms of Gerard III.,
Bishop of Cahors.
Over Roland’s sword hang the fetters of several Christians delivered
from a terrible slavery on the coast of Barbary by Our Lady’s might.
Among these was Guillaume Fulcheri of Montpellier, whose mother came to
Roc Amadour on the eve of the Assumption to offer a cake of wax to burn
before the image of Mary for the redemption of her son. That same night,
while she was keeping vigil with prayers and tears before the altar of
the Virgin, his fetters were loosened in a mysterious manner, and he
made his escape. One of his first acts on his arrival in France was to
come to Roc Amadour with an offering of gratitude.
So, too, Guillaume Rémond of Albi, being unjustly confined in prison,
with no other hope of liberty but his trust in the power of the glorious
Virgin of Roc Amadour, while he was persevering in prayer during the
night-watches his chains suddenly fell off about the ninth hour, to the
utter amazement of the jailer, who became too powerless to hinder his
escape. He took his fetters with him to hang up before the altar of his
potent protectress.
Public-domain text, read in full here on John Shaqi.
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