The Celestial Omnibus, and Other StoriesForster, E. M. (Edward Morgan)
General
The Celestial Omnibus, and Other Stories
Forster, E. M. (Edward Morgan)
English fiction -- 20th century; Short stories, English
Others had been before him--indeed he had a curious sense of
companionship. Little votive offerings to the presiding Power were
fastened on to the bark--tiny arms and legs and eyes in tin, grotesque
models of the brain or the heart--all tokens of some recovery of
strength or wisdom or love. There was no such thing as the solitude of
nature for the sorrows and joys of humanity had pressed even into the
bosom of a tree. He spread out his arms and steadied himself against the
soft charred wood, and then slowly leant back, till his body was resting
on the trunk behind. His eyes closed, and he had the strange feeling of
one who is moving, yet at peace--the feeling of the swimmer, who, after
long struggling with chopping seas, finds that after all the tide will
sweep him to his goal.
So he lay motionless, conscious only of the stream below his feet, and
that all things were a stream, in which he was moving.
He was aroused at last by a shock--the shock of an arrival perhaps, for
when he opened his eyes, something unimagined, indefinable, had passed
over all things, and made them intelligible and good.
There was meaning in the stoop of the old woman over her work, and in
the quick motions of the little pig, and in her diminishing globe of
wool. A young man came singing over the streams on a mule, and there was
beauty in his pose and sincerity in his greeting. The sun made no
accidental patterns upon the spreading roots of the trees, and there was
intention in the nodding clumps of asphodel, and in the music of the
water. To Mr. Lucas, who, in a brief space of time, had discovered not
only Greece, but England and all the world and life, there seemed
nothing ludicrous in the desire to hang within the tree another votive
offering--a little model of an entire man.
"Why, here's papa, playing at being Merlin."
All unnoticed they had arrived--Ethel, Mrs. Forman, Mr. Graham, and the
English-speaking dragoman. Mr. Lucas peered out at them suspiciously.
They had suddenly become unfamiliar, and all that they did seemed
strained and coarse.
"Allow me to give you a hand," said Mr. Graham, a young man who was
always polite to his elders.
Mr. Lucas felt annoyed. "Thank you, I can manage perfectly well by
myself," he replied. His foot slipped as he stepped out of the tree, and
went into the spring.
"Oh papa, my papa!" said Ethel, "what are you doing? Thank goodness I
have got a change for you on the mule."
She tended him carefully, giving him clean socks and dry boots, and then
sat him down on the rug beside the lunch basket, while she went with the
others to explore the grove.
They came back in ecstasies, in which Mr. Lucas tried to join. But he
found them intolerable. Their enthusiasm was superficial, commonplace,
and spasmodic. They had no perception of the coherent beauty that was
flowering around them. He tried at least to explain his feelings, and
what he said was:
Public-domain text, read in full here on John Shaqi.
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