The Celtic Magazine, Vol. I, No. VI, April 1876: A Monthly Periodical Devoted to the Literature, History, Antiquities, Folk Lore, Traditions, and the Social and Material Interests of the Celt at Home and AbroadVarious
History
The Celtic Magazine, Vol. I, No. VI, April 1876: A Monthly Periodical Devoted to the Literature, History, Antiquities, Folk Lore, Traditions, and the Social and Material Interests of the Celt at Home and Abroad
the strict observance of this. She also tells him that if he doubts her
faith even for a moment she will have to leave him and return to her
celestial home. They live happily for a time, but at length, through the
machinations of a wicked Countess Olga, a spinster of uncertain age, who
had hoped to have gained the Baron for herself, he becomes uneasy, and
one night is so worked upon by the wily insinuations of the spiteful
Countess, and irritated at the non-appearance of his wife at a Grand
State Ball, that he rushes home in a frenzy of suspicion, and regardless
of his promise, breaks in on the Baroness' seclusion. The result is
disastrous, the child dies and his wife returns to her starry home; but
her mission is fulfilled, for over the death-bed of his infant--a scene
full of pathos--his heart softens and he avows his belief. This story is
capitally told, and considerable humour is displayed in the account of a
grand Court Dinner, at which the young Prince and his mischievous
companions amuse themselves by sticking burrs on the footmen's silk
stockings, much to the discomfiture of the poor flunkeys, the dismay of
the high officials, and the indignation of the Grand Duke.
"Esgair: The Bride of Llyn Idwyl," is founded on an old Welsh Legend,
and is a graceful, though rather weird story. "Eothwald, the young
sculptor," tells how a Mermaiden was wooed and won, but in Eothwald's
breast the artist was stronger than the lover, and the poor Mermaid died
broken-hearted.
"Fido and Fidunia" is the longest of the tales, and will, we think, be
the favourite with young folks. Fido is the very embodiment of canine
sagacity, and poor, plain, unsophisticated Fidunia is a well drawn
character, though she seems to be rather hardly dealt by. There is one
thing which may be considered a defect in this otherwise charming book;
all the heroines, though amiable and faultless, come to a sad end. They
are made the scapegoats of their masculine companions. Though this is
too often the case in real life, it is much more pleasant in a Fairy
Tale, that all the amiable characters should be married and "live happy
ever after."
Public-domain text, read in full here on John Shaqi.
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