The Ceramic Art: A Compendium of The History and Manufacture of Pottery and PorcelainYoung, Jennie J.
History
The Ceramic Art: A Compendium of The History and Manufacture of Pottery and Porcelain
Young, Jennie J.
Pottery -- History
Porcelain is composed of two ingredients, one of which--kaolin--is
infusible, and the other--petuntse--vitrifies, and envelops the kaolin.
It is translucid, and therein differs from pottery, which is opaque. As
to the origin of the word, we have already seen that it was, in its
Italian form, applied to majolica in the sixteenth century; and the word
“pourcelaine” occurs two centuries earlier. It was used to designate
Oriental china in the fifteenth century. Mr. J. F. Davis, in his work on
the Chinese (1840), quotes Marsden to the effect that the word
“porcelain,” or _porcellana_, was applied by Europeans to the ware of
China, from the resemblance of its fine polished surface to that of the
univalve-shell so named; while the shell itself derived its appellation
from the curved or gibbous shape of its upper surface, which was thought
to resemble the raised back of a _porcella_, or little hog. When
porcelain was first invented in China is not exactly known. The
combination was discovered in the province of Honan about eighteen
hundred years ago; but the date cannot be more specifically fixed. From
China it was introduced into Persia, Egypt, and Barbary, at a very early
period, and was thence imported into Europe, where, however, it was not
generally known until 1518. The first specimens of Oriental porcelain
known to have reached England were given by Philip of Austria to Sir
Thomas Trenchard, of Wolverton, in 1506.
To continue its history in Europe, it is necessary to observe that there
are two kinds of porcelain--the natural, or _pate dure_, and the
artificial, or _pate tendre_. The latter cannot stand so high a
temperature as the former, and can be scratched with a knife, which the
hard porcelain resists. The soft-paste was the first to be discovered in
Europe. Chemists, struck with the beauty of the Chinese porcelain, and
impelled by a desire to imitate, began to experiment in the sixteenth
century; and the first success, of which substantial evidences now
exist, was gained at Florence in 1580. It is said that a Venetian potter
made porcelain sixty or seventy years earlier; but no specimen known to
be his is now in existence. After that of Florence, the next discovery
was made by Dr. Dwight, of Fulham, England, in 1671; and in 1695 the
secret was penetrated by M. Chicanneau, at St. Cloud, France. By that
time the Florentine porcelain and process had been forgotten, and the
English and French ceramists pursued perfectly independent
investigations.
The problem of making a hard-paste porcelain resembling that of the
Orient still remained unsolved. No chemistry could avail the
experimenters so long as the materials were wanting. To the accidental
discovery of a bed of kaolin, Europe owed its first hard porcelain. This
important event took place about the year 1709, and the circumstances
leading to it are full of interest.
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