The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
The ornamentation on Anglo-Saxon cinerary urns consists usually of
encircling lines in bands, or otherwise; in vertical or zig-zag lines,
arranged in a variety of ways; of impressed or punctured ornaments; and
of knobs or protuberances. Sometimes also, as in a Bedfordshire urn,
they present evident attempts at imitation of the Roman egg-and-tongue
ornament. In some districts small ornaments are painted on the surface
with a white pigment. The marked feature of the pottery of this period
is the frequency of the small punctured or impressed ornaments to which
I have alluded, which are introduced along with the lines or bands,
with very good effect. These ornaments were evidently usually produced
by the end of a stick, cut and notched across in different directions,
so as to produce crosses and other patterns. In other instances these
impressed ornaments have been produced by twisted slips of metal, &c.
In the woodcut (Figs. 260 and 261) I have endeavoured to show two of
the notched-stick “punches,” such as I have reason to believe were
used for pressing into the soft clay, and also the impressed patterns
produced by them.
The quatrefoils (or as they may almost be called, crosses patée) on
some of the urns I have engraved, particularly on Figs. 237, 238, and
239, are very unusual, as are also those in the lower bands of Figs.
237 and 240, and in the upper band of the latter example.
Other modes of ornamenting are shown on Fig. 234.
CHAPTER IV.
Pottery of the Norman and Mediæval Periods--Examples
from illuminated MSS.--Norman Potworks at Burley
Hill--The Ferrars Family--Mediæval Pottery---Grotesque
Vessels--Costrils--Mammiform Vessels--The Cruiskeen or
Cruiska--Godets, &c.--Simpson’s Petition--Rous and Cullyn’s
Patent--Bellarmines--Ale-pots--Salt glazing--Butter-pots--Dr.
Plot--State of Staffordshire Potteries--Combed Ware--Ariens
Van Hamme--John Dwight--The brothers Elers--The Tofts--William
Sans--Tygs--Candlesticks--Cradles, &c.
Of the pottery of the Norman period but little has been said by any
writers, and that simply because but little was known. I had the good
fortune, however, a few years’ back, to discover the remains of a
kiln[30] of that period, in and around the remains of which were many
vessels--“wasters” as they would be technically called--of various
kinds. This discovery was all the more interesting and valuable,
as being the only instance of the finding of a kiln either of the
Anglo-Saxon or Norman periods, and it has enabled me to identify and
appropriate to this age vessels from other localities. To these I shall
presently refer.
[Illustration: Fig. 262.]
[Illustration: Pitcher, temp. Henry III.]
[Illustration: Fig. 263.]
[Illustration: Fig. 264.]
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