The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every classJewitt, Llewellynn Frederick William
History
The ceramic art of Great Britain from pre-historic times down to the present day, Volume 1 (of 2) : $b being a history of the ancient and modern pottery and porcelain works of the kingdom and of their productions of every class
Jewitt, Llewellynn Frederick William
Pottery, British -- History
Salt-glazing appears to have been introduced about 1680, and it
gradually superseded the lead-glazing which till that time was in
regular use. The account given of this discovery is, that “at Mr.
Joseph Yates’, Stanley, near Bagnall, five miles east of Burslem, in
Staffordshire, the servant was preparing, in an earthen vessel, a
salt-ley for curing pork, and during her temporary absence the liquid
boiled over, and the sides of the pot were quickly red hot from intense
heat; yet, when cold, were covered with an excellent glaze. The fact
was detailed to Mr. Palmer, potter, of Bagnall, who availed himself
of the occurrence, and told other potters. At the small manufactories
in Holden Lane (Adams’s), Green Head, and Brownhills (Wedgwood’s),
salt-glazed ware was soon afterwards made.” “The ovens employed for the
purpose being used only once weekly, and the ware being cheap, were
large in diameter, and very high, to contain a sufficient quantity
to be baked each time, to cover all contingent expenses. They were
constructed with a scaffold round them, on which the firemen could
stand, while casting in the salt through holes made in the upper part
of the cylinder, above the bags or inner vertical flues; and the
saggers were made of completely refractory materials, with holes in
their sides, for the vapourised salt to circulate freely among all the
vessels in the oven to affect their surfaces.” The ware thus glazed,
and made from the common clay, with a mixture of fine sand from Mole
Cop, was called “Crouch ware,” and in this all the ordinary articles
of domestic use, including jugs, cups, dishes, &c., were made. At this
time, it is stated, there were only twenty-two ovens in Burslem and
its neighbourhood. “The employment of salt in glazing Crouch ware was
a long time practised before the introduction of white clay and flint.
The vast volumes of smoke and vapours from the ovens entering the
atmosphere, produced that dense white cloud which, from about eight
o’clock till twelve on the Saturday morning (the time of ‘firing up,’
as it is called), so completely enveloped the whole interior of the
town, as to cause persons often to run against each other, travellers
to mistake the road; and strangers have mentioned it as extremely
disagreeable, and not unlike the smoke of Etna or Vesuvius.”
In 1685 a white stoneware was made at Shelton by Thomas Miles, and at
the same time and place a brown stoneware was also made. These would be
the same as the ale-pots and bellarmines were made of.
In 1686, Dr. Plot published his “Staffordshire,” and thus spoke of the
butter trade, and butter-pots then made:--[38]
Public-domain text, read in full here on John Shaqi.
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