The Certain Hour (Dizain des Poëtes)Cabell, James Branch
General
The Certain Hour (Dizain des Poëtes)
Cabell, James Branch
Fantasy fiction; Short stories
John Gay's reply was a subdued whistle. He, in common with the other
guests of Lord Harcourt, at Nuneham Courtney, had wondered what would
be the outcome of Mr. Alexander Pope's intimacy with Sarah Drew. A
month earlier the poet had sprained his ankle upon Amshot Heath, and
this young woman had found him lying there, entirely helpless, as she
returned from her evening milking. Being hale of person, she had
managed to get the little hunchback to her home unaided. And since
then Pope had often been seen with her.
This much was common knowledge. That Mr. Pope proposed to marry the
heroine of his misadventure afforded a fair mark for raillery, no
doubt, but Gay, in common with the run of educated England in 1718, did
not aspire to be facetious at Pope's expense. The luxury was too
costly. Offend the dwarf in any fashion, and were you the proudest
duke at Court or the most inconsiderable rhymester in Petticoat Lane,
it made no difference; there was no crime too heinous for "the great
Mr. Pope's" next verses to charge you with, and, worst of all, there
was no misdoing so out of character that his adroit malignancy could
not make it seem plausible.
Now, after another pause, Pope said, "I must be going now. Will you
not wish me luck?"
"Why, Alexander--why, hang it!" was Mr. Gay's observation, "I believe
that you are human after all, and not just a book in breeches."
He thereby voiced a commentary patently uncalled-for, as Mr. Pope
afterward reflected. Mr. Pope was then treading toward the home of old
Frederick Drew. It was a gray morning in late July.
"I love her," Pope had said. The fact was undeniable; yet an
expression of it necessarily halts. Pope knew, as every man must do
who dares conserve his energies to annotate the drama of life rather
than play a part in it, the nature of that loneliness which this
conservation breeds. Such persons may hope to win a posthumous esteem
in the library, but it is at the bleak cost of making life a wistful
transaction with foreigners. In such enforced aloofness Sarah Drew had
come to him--strong, beautiful, young, good and vital, all that he was
not--and had serenely befriended "the great Mr. Pope," whom she viewed
as a queer decrepit little gentleman of whom within a week she was
unfeignedly fond.
"I love her," Pope had said. Eh, yes, no doubt; and what, he fiercely
demanded of himself, was he--a crippled scribbler, a bungling artisan
of phrases--that he should dare to love this splendid and deep-bosomed
goddess? Something of youth awoke, possessing him--something of that
high ardor which, as he cloudily remembered now, had once controlled a
boy who dreamed in Windsor Forest and with the lightest of hearts
planned to achieve the impossible. For what is more difficult of
attainment than to achieve the perfected phrase, so worded that to
alter a syllable of its wording would be little short of sacrilege?
Public-domain text, read in full here on John Shaqi.
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