Adoption -- Fiction; England -- Fiction; Social classes -- England -- Fiction
As he played and as he talked, the listener heard the birds; the cool
breeze of the country fanned her cheek; she saw the flowers; the sun
warmed her; the hard road fatigued her; she listened to the birds in
the woods, the rustle of the leaves, the whistling of the wind in the
telegraph-wires; she sat in the grateful shade; she bathed her feet in
the cool, running water.
Alice listened--carried away; her cheeks were flushed; she clutched
the cushions of the sofa. Far away--out of sight--forgotten--were the
grand rooms of the rich man's hotel; far away--forgotten--were the
diamonds and the silks.
Dick watched, with grave and earnest face, the effect of his playing.
With him it was always an experiment. He tried to mesmerize his
people; to charm them into forgetfulness.
"Sometimes," he went on, "I get a place in a country theatre--in the
orchestra, you know. This is the orchestra." He became, on the spot,
a whole orchestra, blatant, tuneless, paid to make a noise; you heard
all the discordant instruments played together. Alice sank back in
her chair. She did not care much about the orchestra. Dick changed
quickly. "Sometimes I join a circus, and play in the procession
through the town. The band goes first in a cart; you can hear how
the bumping shakes the music." Indeed it did--the cart was without
springs, and the road was uneven. "Behind us are the horses with
the splendid riders." The music passed down the street, while the
patter of the horses on the road was loud enough to be heard above
the music. "Last of all the riders, before the clown and the rest of
the people, is the Lady Equestrienne of the Haute École. At sight of
her all the girls in the town yearn for the circus, and the hearts of
all the young men sink with love and admiration." No. Mrs. Haveril
cared very little for this part of the show, either. "Sometimes we
come to a village, where there is a green. Then the people come
out--it is a fine summer evening--and I play to them, and they dance.
What shall it be? _Sellinger's Round_, or _Barley Break_? Take your
partners--take your places; curtsey and bow, and hands across and
down the middle, and up again and one place lower. Now then, keep it
up--time--time--time." Again the lady sat up and listened with rapt
face. Dick watched her closely. "Now we find a school-treat in a
field--I play to them. Jump and dance; boys and girls, come out to
play. Lasses and lads, take leave of your dads. Boys, don't be rough
with the girls, but dance with each other. Now, hands all--and round
we go, and round we go." Then the tears came into the pale lady's
eyes. "Good-bye--we are on the road again. The sun is sinking; the
swallows fly low; we shall have rain; luckily, we've got our supper
in the bag. My girl, we must take shelter in this barn. Come--you are
tired--I play my girl to sleep with a gentle lullaby. Sweet hay--sweet
hay--it hath no fellow. Sleep, dear girl, sleep. Good night. Good
night--Good night."
Public-domain text, read in full here on John Shaqi.
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